Music & Printed Scores

• Nicolai, Valentino (?-c. 1798) Six Sonatas, for the Piano-Forte or Harpsichord with an Accompaniment for a Violin Composed and humbly Dedicated to MissMathew...Op. III Preston & Son: London, [1789-98]. Pl.n: n.p.n. Folio. 57 pp. Disbound. Title page a little soiled, some foxing throughout, last page partially detached with small tear at margin, otherwise very good.
  Piano score.
  MUS-06393 $200Inquire
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  NINE OPERA POTPOURRIS BY HENRI CRAMER Cramer, Henry (1818-1877) Potpourris sur des motifs d'Opéras favoris pour le Piano. Chez les fils de B. Schott: Mayence, n/d. Large quarto. The set is in good condition overall. Chipping to some margins, occasional foxing, thumb wear, and dealer stamps throughout.

  A set of nine operatic potpourris by Henri Cramer. The above-listed information is applicable to all; additional details as follows:
  
  Attila (Verdi). Pl.n 10249. 9 pp. Engraved. With original wrapper (detaching).
  
  La dame blanche (Boieldieu). Pl.n 8362. 11 pp. With original front wrapper (back wrapper not present). Disbound.
  
  Le Barbier de Seville (Rossini). Pl.n 8543. 13 pp. With original front wrapper, detached (back wrapper not present).
  
  Faust (Gounod). Pl.n 16552. 13 pp. With original front wrapper (back wrapper not present). Tears to p. 7 (affecting, but music legible). Disbound.
  
  Der Freischütz (Weber). Pl.n 8376. 11 pp. With original front wrapper, detached and torn (back wrapper not present). Tear to p. 3 (affecting, but music legible); tear to p. 9 (bottom stave not present). Disbound.
  
  Il Trovatore (Verdi). Pl.n 13709. 11 pp. (Published somehow in connection with C. Breusing: New York, the mark of which appears on the wrapper and title pages.) Disbound.
  
  Alessandro Stradella (Flotow). Pl.n 8276. 13 pp. Engraved. Disbound.
  
  Norma (Bellini). Pl.n 7343. 11 pp.
  
  Macbeth (Verdi). Pl.n 10359.3. 7pp. Engraved.
  
  MUS-06755 $225Inquire
• Olof, Theo Rhythmicon: Rhythmical Studies for Violin. In Dutch, German, French & English Albersen & Co.: The Hague, 1970. Large quarto. 149 pp. Boards. Top edge of spine pulled, otherwise very good.
  Formerly the copy of the violin pedagogue Josef Gingold, with his stamp on page 21, the first musical exercise.
  MTH-08472 $40Inquire
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  OPERA - NINETEENTH-CENTURY ARRANGEMENTS Two piano-vocal arrangements and one piano solo arrangement. Oblong quarto. Disbound. On the first pages of the Bellini and Donizetti, the publisher information is concealed by dealer labels pasted down. The Meyerbeer is from Ricordi.

  Three nineteenth-century operatic arrangements:

  Bellini: "Se Romeo t'uccise un figlio." Piano-vocal. Pl.n. 5227. 15 pp. Engraved. The whole quite foxed with some unaffecting minor chips to last pages.

  Donizetti: "Il segreto per esser felici." Piano-vocal. Pl.n. N7414N. 6 pp. Engraved. Ink stain to first page affecting last stave and the verso. Otherwise quite clean.

  Meyerbeer: "Oh voi che riposate." Piano solo. Firenze/Milano: Ricordi. Pl.n. T.5951B. 2 pp. Dealer stamp to first page (not affecting). Otherwise fine.

  MUS-15266 $20Inquire
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  OPERA - PUCCINI'S LA FANCIULLA DEL WEST 18" h x 12" w. Excellent condition.

  A handsome facsimile on parchment paper of the cast page to the first edition of the score to Puccini's opera La Fanciulla del West. The page shows the signatures of the entire Metropolitan Opera premiere cast, which included Emmy Destinn as Minny and Caruso as Dick Johnson, as well those of as Puccini and Toscanini, who conducted on opening night in 1910.
  FAC-10996 $75Inquire
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  OPERA COMIQUE DELIBERATIONS France, 1827-1828. Small quarto. 55 pp. Stains to pp. 1-10 with more occasional spotting thereafter; on the whole in very good condition.

  Various recommendations by the administrative committee of the Opéra Comique to the pertinent cabinet member of the King, entered in the left-hand column, with that member's frequent comments and notes of approval appearing in the right-hand column.

  The Opéra Comique, known officially today as the Théâtre National de l'Opéra-Comique, is a Parisian opera company that was founded around 1714. The company has made important contributions to the French and European operatic traditions since its inception and premiered many mainstays of the repertoire, including Berlioz's La damnation de Faust and Bizet's Carmen.
  MAN-14712 $600Inquire
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  ORGAN - LIMITED FULL-SIZE FACSIMILE Bedos De Celles, François (1709-1779) L'Art du Facteur d'Orgues. Par D. Bedos de Celles, Bénédictin. MDCCLXVI. Leonce Laget: Paris, 1976. Facsimile edition of the 1766-'78 original, limited to 600 copies. Folio; c. 11" h x 11.5" w (43.2 cm x 29.2 cm). [2] + xxxii + 676 pp. Two volumes (4 volumes in 1 + bound volume of plates). 27 b&w plates (many fold-outs). Brown cloth, binding a little loose because of size. Fine condition.

  The scarce limited full-size facsimile edition of Dom Bédos de Celles' monumental work, which is still referred to by organ builders today. Dom Bédos, whose full name was François Lamathe Bédos de Celles de Salellesbest, was a Benedictine monk and master pipe organ builder.
  FAC-10627 $1,350More Images/Inquire
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  Paganini, Nicolò (1782-1840) 24 Caprices pour le Violon. Op. 1. Breitkopf & Härtel: Leipzig, [1824]. Pl.n: 3936. First German Edition. Engraved. Quarto. 38 pp. Disbound. A very crisp copy with deep impressions. Cover with light soiling and a few markings in pen. Manuscript pagination at upper-right corner of every page in a contemporary hand. Some transfer, but music quite clean.
  MUS-06394 $1,200More Images/Inquire
• Paganini, Nicolò (1782-1840) Concerto in mi minore per violini (opera postuma) Instituto di Studie Paganiniani: Genoa, 1973. No. 106 of 750 examples. Folio. 28 pp. of facsimile of the solo part plus 195 pp, partitura orchestrated by Federico Mompellio in Italian. Commentary by Edward Neill. Grey linen. As new. FAC-10098 $250Inquire
• Paganini, Nicolò (1782-1840) Maestosa Suonata Sentimentale per Violino e Orchestra [Variations on Haydn's Austrian National Hymn] Instituto Italiano: Rome, 1978. Vol. 11 of the collected edition. No. 182 of 1,000. Large folio. 38 pp. of commentary , 27 pp. facsimile, 101pp. transcriptions for vln/orch & vln/piano. Handsome edition on heavy stock with deckled front edge. Silk boards. FAC-12435 $200Inquire
• Paganini, Nicolò (1782-1840) Maestosa Suonata Sentimentale per Violino e Orchestra [Variations on Haydn's Austrian National Hymn] Instituto Italiano: Rome, 1978. Vol. 11 of the collected edition. No. 182 of 1,000. Large folio. 38 pp. of commentary , 27 pp. facsimile, 101pp. transcriptions for vln/orch & vln/piano. Handsome edition on heavy stock with deckled front edge. Silk boards. As new. FAC-07529 $200Inquire
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  Paganini, Nicolò (1782-1840) and Ch. Nowotny, ed. Moto Perpetuo (Mouvement perpétuel) pour Violon avec accompagnement de Piano. Op. 11. F.E.C. Leuckart: Leipzig, 1897. Pl.n: F. E. C. L. 4959. Quarto. 6 pp. In very good condition.

  Piano part not present.
  MUS-06395 $35Inquire
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  Paganini, Nicolò (1782-1840) and Fritz Kreisler, arr. & ed. Non più mesta. Thema mit Variationen. Op. 12. Fritz Kreisler Freie Bearbeitungen älterer Werke der Violin-Litteratur. Ausgabe für Violine mit Pianoforte-Begleitung. Ernst Eulenburg.: Leipzig, 1905. first edition of this arrangement. Quarto. 4 pp. [vln part] + 13 pp. [pno part]. Original green paper wrappers. Clean and in very good condition. Wrappers a toned at margins with signature of former owner at top right. Dealer stamp at bottom of title page. Edges with some minor creasing.
  MUS-06396 $60Inquire
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  Paganini, Nicolò (1782-1840) Violin-Konzert Nr. 1, op. 6. Edited by Wilhelm Stross and Carl Flesch. C. F. Peters Corporation: Leipzig, [n/d]. Pl.n: 9770. A recent reprint of a 1943 edition. Quarto. 23 pp. Paper wrappers. As new.

  Solo violin part only.
  MUS-06437 $20Inquire
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  Panerai, Vincenzo (c. 1750-c. 1790) Principi di Musica. Presso Giovanni Chiari: Firenze, [c 1770, as per WorldCat]. Engraved. Small quarto. 10 pp. Sewn. A very nice copy. Occasional stains, quite minor. Otherwise clean and crisp.

  Although a general music method, this volume includes scales for keyboard in the French and Italian manners, as well as scales for violin, viola, cello, bass, flute, and oboe. It also contains one of the few fingering tables for flute that survives from mid- to late-eighteenth century Italy.

  Very little is known about Italian composer Vincenzo Panerai. He studied composition alongside Luigi Cherubini in Florence, and Cherubini is known to have praised the performance of Panerai's music in that city in the 1770s. Panerai wrote several didactic works, and a contemporary newspaper, the Gazzetta Toscana, once praised his abilities as a teacher.

  MTH-14982 $850More Images/Inquire
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  Panerai, Vincenzo (c. 1750-c. 1790) Suonata Terza Per Violino e Cimbalo a piano-forte Composta in maniera da esequirsi ancora a Cimbalo Solo, senza che perda del suo Spiriot, e Dedicata Alla Nobil Donna L'Illma: Signora Maria Agnese Gondi Nata Anforti Dilettante Dall' Abe. Vincenzio Panerai Rinaldo Bonini: Florence, [c 1770]. Oblong quarto. Paginated 9-14. Disbound and detached. A little dusty with slight wear to edges and stain at bottom edge of last page (not affecting). Otherwise in good condition.

  Complete score for keyboard and violin.

  Very little is known about Italian composer Vincenzo Panerai. He studied composition alongside Luigi Cherubini in Florence, and Cherubini is known to have praised the performance of Panerai's music in that city in the 1770s. A teacher and author of several didactic works, Panerai published one of the few fingering tables for flute that survives from Italy during his lifetime.

  MUS-10177 $75Inquire
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  Paradossi, G. Modo Facile di Suonare il Sistro Nomato il Timpano Bollettino Bibliografico Musicale: Milan, 1933. Small Octavo. 16 unopened pages. As new.
  FAC-01852 $25More Images/Inquire
• Parthenia Parthenia, or the First Musick ever printed for the Virginals Composed by Three Famous Masters, William Byrd, Dr. John Bull, and Orlando Gibbons A.D. 1611 Edward F. Rimbault. Reeves: London, 1947. Folio. Reproduction of original title page and introduction, 3-page commentary by Rimbault, 50 pp of music + 1 page facsimile. Paper boards with navy buckram spine. Overall very good except for upper and lower bumping to spine and cover somewhat soiled. MUS-10799 $185Inquire
• Pergolesi, Giovanni (1710-1736) The Brother in Love, Lo Frate 'Nnammorato (Il fratello innomorato). Piano Vocal Score. Revised and elaborated edition by Ennio Gerelli Edizioni Suvini Zerboni: Milan, 1961. Large quarto. 511 pp. Beige linen boards with original paper covers. Spine tips bumped (a little ripped on top one), covers soiled, interior excellent.
  A facsimile of a recent copyist manuscript in the Biblioteca di Musica S. Pietro a Majella di Napoli.
  FAC-10844 $125Inquire
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  PFITZER-SIGNED TRIO WITH AMQ Pfitzner, Hans (1869-1949) Trio for Violin, Cello and Piano, Op. 8  Signed Hans Pfitzner with AMQ. Also signed Hugo Kauder. Simrock: Berlin, 1898. Pl.n: 10999. first edition. Quarto. 67 pp. [piano] + 15 pp. [violin] + 15 pp. [cello]. Green cloth. Piano part bound; string parts loose and inserted in a matching green flap on inside of back board. In very good condition. Boards with a little wear.

  A first-edition copy of one of Pfitzner's earliest-published works, signed by him in purple ink on the front end-paper with a quotation of the cello part's first bar.

  Austrian composer Hugo Kauder has signed above Pfitzner; penciled below is the date 12 Febr. 17. Although the meaning of the date is unclear, it is possible that Kauder performed the trio then, as he was an active violinist and violist throughout the 1910s.

  Although Pfitzner gained his lasting reputation as an opera and theater composer in the early 1900s, he had composed a large body of chamber music and songs throughout the 1880s and 1890s. He wrote this trio in 1896.
  SSC-07596 $400More Images/Inquire
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  PIANO - AN AMERICAN METHOD Richardson, Nathan (1827-1859) The Modern School for the Piano-forte...comprising a complete course of instruction, based upon a new principle...with anatomical illustrations of the hands, showing the use of their muscles and tendons in playing the piano. Self-published: Boston, nd [c 1853]. Third edition. Quarto. 240 pp. 5 colored anatomical illustrations. Brown buckram with design in relief and gilt title, gilt lettering on spine and all edges. Internally fine, binding fair with spine ends bumped and top part of label chipped and reglued.

  This method was Richardson's first of two piano instruction books, both assuring him a prominent place in American pedagogy; indeed, his were the preferred instruction methods for piano teachers well into the 20th century. With his brother, he established a music store and publishing enterprise, contracting with prominent American musicians such as William Mason and George Root.
  MTH-14291 $100More Images/Inquire
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  PIANO - LES PETITS BIJOUX Les Petit Bijoux, Consisting of Favorite Airs, Arranged as Rondos, or With Variations, for the Piano Forte, Composed by The Most Celebrated Professors. Nos. 1-24. Goulding, D'Almaine, Potter & Co.: London, [1810-1816]. first edition. Engraved. Large quarto. Half-bound red leather with paper boards. Leather and boards heavily rubbed, but internally very clean and in excellent condition.

  A beautiful and uncommonly clean collection of incidental piano music issued in installments between 1810 and 1816 by Goulding, D'Almaine, Potter, & Co. under the title Les Petit Bijoux. Each of the 24 installments (which we believe constitute the entire collection) is bound with its own attractive title page. (Those title pages for Nos. 3, 12, 20, and 24 are less decorative than the rest, but still seem to be first editions.)

  Most of the composers represented in the collection are English and include Thomas Cooke, Joseph William Holder, John Davy, and Joseph Gelinek, among others.

  MUS-15026 $350Inquire
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  PIANO - NINETEENTH-CENTURY CONCERTOS A bound collection of solo piano parts for six nineteenth-century piano concertos and one sonata. Quarto. Quarter-bound calf with textured beige paper boards. Raised bands at spine with gilt label. A very nice binding. Spine sunned. Overall in good condition; see additional notes below.

  A beautifully bound collection of solo piano parts in early editions for six nineteenth-century concertos and one sonata. The volume includes:

  Ries, Ferdinand. Grand Concerto pour Piano, avec Accompagnement d'Orchestre. Op. 42. Richault: Paris, n/d. Pl.n: 634.R. Engraved. 47 pp. Dealer stamps and markings in blue crayon on title page; dealer stamp on p. 1. Minor tape repair to corner of p. 47 (affecting only page number). Music with some foxing, ink transfer, and bleed through, but still a crisp and useable copy.

  Hummel, Johann N. Grand Concerto pour le Piano-Forte avec Accompagnement d'Orchestre. Op. 113. Richault: Paris, n/d. Pl.n: 7323.R. Engraved. 40 pp. In fair condition. Dealer stamps on title page and p. 1. Water stain at outer margin of all pages; bleed through and foxing to most. Some performance markings in pencil throughout.

  Kalkbrenner, Frédéric. Quatriéme Concerto pour le Piano avec l'accompagnement d'Orchestre. Op. 125. Paris, n/d. Engraved. 41 pp. In fair condition. Title page quite dusty with some penciled markings and major repair to right margin. Several page edges reinforced throughout (not affecting) and some spotting throughout. Performance markings in red crayon and pencil throughout pp. 1-10 + 21.

  Kalkbrenner, Frédéric. Premier Grand Concerto pour le Piano-Forté avec accompagnement d'Orchestre. Op. 61. Aulagnier: Paris, n/d. Pl.n: 1596. Engraved. 37 pp. Title page and final page trimmed and laid down on larger sheets (with no loss of text or music). Tape repair to bottom of p. 7. Occasional gray and blue penciled performance markings. A bit dusty, but a useable copy.

  Hummel, Johann N. Les Adieux. Grand Concerto pour le Piano-Forte avec Accompagnement d'Orchestre. Op. 110. Richault: Paris, n/d. Pl.n: 7320.R. Engraved. 50 pp. Dealer stamps and markings in blue crayon on title page. Small hole at bottom of p. 21 (not affecting). Right margin of p. 23 trimmed quite close and unevenly (no loss of music). Some foxing and bleed through to most pages, but a crisp and useable copy nonetheless.

  Hummel, Johann N. Grand Concerto pour le Piano-Forte avec Accompagnement d'Orchestre. Op. 85. Richault: Paris, n/d. Pl.n: 489.R. Engraved. 45 pp. Dealer stamps to title page and p. 1. A clean and crisp copy with only minor bleed through and occasional penciled markings.

  Hummel, Johann N. Grande Sonatae pour le Piano. Op. 13. Nouvelle edition, revue et soigneusement corrigèe. Prilipp: Paris, n/d. Pl.n: C.546.P. Engraved. 19 pp. Dealer stamp to title page. Heavy transfer; otherwise fine.

  MUS-15219 $400Inquire
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  Piatti, Alfredo (1822-1901) Autograph Sketchbook Signed "Alfredo Piatti" on the titlepages of two works. Oblong octavo. 118 of 158 numbered pp. Contemporary marbled boards, spine worn, loose in binding, some leaves removed, one leaf with a section torn off the top. In a custom-made brown marbled modern box with black cloth spine (box cover rubbed in two places).

  A personal sketchbook of the renowned Italian cellist, containing the solo part of his "Concerto per Violoncello, Op. 1", "Fantaisie Variée sur des motifs de Beatrice Senda, Op. 2", "Andante e Variazioni sopra un tema dell' Opera Lucia di Lammermoor, Con accompagnamento d'Orchestra, Op. 4", a few other complete works and many ideas and sketches for other original compositions, mostly for cello or cello and piano, but also including a few works for voice and accompaniment and one for violin, voice and piano. One sketch appears to be an arrangement for cello of a Beethoven sonata. Many pages contain deletions and corrections and most of the material is apparently unpublished.

  Piatti had a long and influential career. He was a friend of many of the most prominent musicians of his day, including Mendelssohn and Liszt, who presented him with a Nicolò Amati cello [he later performed on the Stradivari now named after him]. He was the cellist of the Joachim Quartet from its inception in 1859 and, in addition to performing and composing, was a teacher, both privately and at the Royal Academy of Music. Piatti performed up until three years before he died at the age of 79. This rare sketchbook is very probably the only one of its kind in existence.
  MAN-05810 $12,500More Images/Inquire
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  Picchi, Giovanni (1571-1643) Intavolatura di Balli d'Arpicordo. Venezia 1621 Bollettino Bibliografico Musicale Milano: Milan, 1934. Half Octavo. 60 pp. Top and bottom of spine damaged, otherwise excellent.

  This is a facsimile of Picchi's Balli d'arpicordo, or Dance for Harpsichord, composed in 1621.
  FAC-11350 $100Inquire
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  Piccinni, Nicolò (1728-1800) Iphigenie en Tauride. [Full score]. Chez le Suisse de l’Hotel de Noailles: Paris, [1781]. first edition. Engraved. Quarto. 264 pp. Half leather with tan marbled boards. Red gilt label and raised bands at spine. In very good condition on the whole. Marginal water stain to pp. 157-264 (only just affecting music on the last ten pages), but otherwise crisp and clean with occasional minor spotting typical of age. Spine a bit worn at either end; corners lightly bumped; back board with minor scuffs.

  Having fallen out of favor in Rome by the early 1770s, Piccinni accepted a post at the French court in 1776 to become the first Italian since Lully to write operas for the Academie Royale de Musique. The move was, on the whole, a success: his operas were well received, he was popular socially, and he secured several lucrative teaching engagements. The Grand Opéra, however, proved a thorn in Piccinni's side.

  The Opéra management proposed that Piccinni and Gluck each compose an opera on Iphigénie en Tauride simultaneously, promising Piccinni upon his acceptance of the challenge that his work would be the first staged. But this was a lie: Gluck's (now beloved) opera premiered in 1779 and Piccinni's did not follow until 1781. Piccinni was so concerned that his good reputation would be compromised, he issued a disclaimer that he did not intend his opera to become a "rival" of Gluck's. This did little, though, to deter Parisians from dividing into "Piccinnists" and "Gluckists", and their bitter fighting continued even after Gluck left Paris.

  Upon Gluck's death in 1787, Piccinni proposed that a public monument be erected in the elder composer's honor. The gesture was a testament to Piccinni's character, but the "Gluckists" rejected the suggestion on the grounds that Piccinni had made it.
  MUS-10862 $650More Images/Inquire
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  Piccinni, Nicolò (1728-1800) Sinfonia del Gionata per Cembalo, o Piano-forte, con Violino obbligato Luigi Marescalchi: Naples, [c 1750]. Pl.n: 285. Oblong folio. 5 + 2 pp. 19th-century paper cover. Browning and some staining throughout, violin leaf closely trimmed on one side but with no loss of musical text, otherwise good. Name of former owner both on cover and first page of music. As indicated on cover, formerly with a Meyerbeer piece which has been excised.

  Piano part and separate violin part.
  MUS-06397 $250More Images/Inquire
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  Pleyel, Ignaz (1757-1831) A Favorite Sonata, for the Piano Forte Preston: London, [ca 1810-1822]. Engraved. Quarto. 13 pp. Disbound. Tears and chips to bottom margins of some pages (not affecting). Some ink transfer throughout, but otherwise in goodand crisp condition.

  An arrangement for piano of the Duo for Violin and Viola (or Two Violins), B530, orginally published in 1796.

  Published between 1810 and 1822, based on publisher's address.
  MUS-06251 $40Inquire
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  Pleyel, Ignaz (1757-1831) A Select Collection of Favourite Airs and Rondos for the Piano Forte. Harrison & Co.: London, [1797]. Engraved. Octavo. 17 pp. Disbound. A crisp copy in excellent condition.

  The first three pieces with original printed fingerings.

  Publication date as per WorldCat.

  MUS-14861 $175Inquire
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  Pleyel, Ignaz (1757-1831) Dodici Sonatine per Cembalo, o Piano Forte Luigi Marescalchi: Naples, [c 1786-1799]. Engraved. Oblong quarto. 10 pp. Disbound. In very good condition with just a few pencil markings. Final blank page creased and worn.

  Luigi Marescalchi began publishing in Florence in 1770, single-handedly reviving Italian music publishing after seven decades of inactivity. After obtaining an exclusive royal license to publish in Naples in 1785, he and his brother Francesco ran a successful business there as publishers, copiers, music renters, and instrument dealers. They were also very likely the first to publish Mozart's music in Italy.

  Though undated, this Pleyel score must have been published between 1786 and 1799, when Marescalchi operated in Naples.

  MUS-14906 $200Inquire
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  Pleyel, Ignaz (1757-1831) Manuscript of Three Quartets Trois Quatuors pour deux Violons, Alto & Violoncelle, Op. 16 Nos. 1, 2 and 3 Narrow large quarto. 16 pp.+2 pp. blank+12 pp.+1 p. blank+13 pp. Missing first violin part. In paper wraps with ovalized lithograph on title page and the name of the owner: G. F. Biller. Overall very nice and crisp; printed covers ratty along edges.

  A handsome contemporary manuscript copy of Three Quartets being the first three quartets of what was published as a set of Six Quartettos for Two Violins, Tenor & Violoncello Composed & Dedicated to the King of Naples, Op. 23, as published by W. Forster in London, 1810 - see Benton 3509.
  MAN-12631 $300Inquire
• Pleyel, Ignaz (1757-1831) Piano Trio, B465, "Three Grand Sonatas for the Piano Forte, with Accompaniments for Violin & Bass, Being the [1st] Book of A Sett of Twelve New Sonatas...[Op. 31, 1st set]" Corri, Dussek & Co.: London, [1798]. Pl.n: n.p.n. Folio. 47 pp. 19th-century paper wrappers, spine reinforced. Fine.
  Piano part only. Benton 4645. Striking title page vignette with a mixture of elements from Chinese landscapes and European decorative devices. Cover includes a statement about the issuing of spurious works and how Corri, Dussek & Co. will be Pleyel's official publisher.
  MUS-06249 $175Inquire
• Pleyel, Ignaz (1757-1831) Piano Trio, B465, "Three Grand Sonatas for the Piano Forte, with Accompaniments for Violin & Bass, Being the [Second] Book of A Sett of Twelve New Sonatas...Op. 31 [2nd Set.]" Corri, Dussek & Co.: London, [1798]. Pl.n: n.p.n. Folio. 45 pp. Spine reinforced with paper tape. Title page detached from binding with one tear and one corner bent, otherwise very good.
  Piano part only. Benton 4647. Striking title page vignette with a mixture of elements from Chinese landscapes and European decorative devices. Cover includes a statement about the issuing of spurious works and how Corri, Dussek & Co. will be Pleyel's official publisher.
  MUS-06250 $150Inquire
• Pleyel, Ignaz (1757-1831) Piano Trios, B431-33, "A Single Sonata [Sonatas I, II & III] for the Piano Forte with an Accompaniment [for flute] Composed & Dedicated (by Permission) to Her Majesty, the Queen of Great Britain" Goulding, Phipps & D'Almaine: London, [1806]. Pl.n: "Pleyels Son.s Op". Folio. 67 pp. Disbound. Fine.
  Piano score alone, with full flute line. Benton 4345.
  MUS-06245 $225Inquire
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  Pleyel, Ignaz (1757-1831) Piano Trios, B452-54, "Twelve Grand Sonatas for the Piano Forte or Harpsichord, with Accompaniments for a Violin and Violoncello In which is Introduced a Variety of Scotch Airs and Favorite Pieces...Op. 14 [Nos. 4-6]" J. Dale: London, [1798]. Pl.n: n.p.n. Folio. Paginated 33-57. Disbound. Fine.

  Piano part only. Benton 4604. Title page with handsome engraved border of thistles. Includes J. Dale catalogs on title page and final leaf.
  MUS-06247 $150Inquire
• Pleyel, Ignaz (1757-1831) Piano Trios, B463, "Three Celebrated Sonatas for the Piano Forte, in which are Introduced [five] Favorite Airs...No. 2 G.E. Blake: Philadelphia, [1818-22]. Pl.n: "Three Celebrated Sonatas, Pleyel". Folio. Paginated 16-29. Disbound. Waterstained, with detached cover, with pencil performance markings, otherwise good.
  Piano part with selected flute/violin cues. Benton 4628.3. According to Benton, this is a second state of the sonatas, issued with a collective title page and pages 16-29 only.
  MUS-06248 $100Inquire
• Pleyel, Ignaz (1757-1831) Piano Trios, B471-73, "Suite de Douze Grandes Sonates de Forte Piano Avec Accompagnement de Violon et Violoncelle par J. Pleyel Dédiée à Madame Martiliere. Opera 33. 3e. Livraison" Pleyel: Paris, [1798/1803-6]. Pl.n: 130. Folio. 45 + 11 + 11 pp. Attractive handmade decorated paper boards. Piano title page foxed, otherwise very good.
  Complete set of parts. Benton 4672. Dealer's label on piano title page for "Thipographie de la Syrene," original publisher visible on the string parts. Only two complete copies of this edition are listed in Benton.
  MUS-09967 $350Inquire
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  Pleyel, Ignaz (1757-1831) Pleyel's Cottage Maid With Variations for the Piano Forte by T. A. Geary Rt. Birchall: London, [ca 1819-1824]. Pl.n: "Blands Harp.d Col. No. 28 Vol. 3". Quarto. Paginated 272-277. Disbound. Overall good. Ink transfer throughout. Chips along centerfold. Small tear to bottom margin of each page (not affecting); chip to last page (not affecting).

  An arrangement of the first movement of Pleyel's Symphony in A (B137), composed in 1786. This movement became an extremely popular tune for arranging; Benton's catalogue of Pleyel's works contains three full pages of pieces based on its melody.
  MUS-06212 $100Inquire
• Pleyel, Ignaz (1757-1831) String Quartet, B331, "No. [1] of Three Quartetts dedicated to His Majesty The King of Prussia" Longman & Broderip: London, [1787]. Pl.n: n.p.n. Folio. 13 + 11 + 11 + 11 pp. Violin part without cover, other parts in paper wrappers. Violin title page sunned, some foxing in all parts, otherwise very good.
  Complete set of four parts. Benton 3272. Longman & Broderip catalog in first violin part.
  MUS-06222 $175Inquire
• Pleyel, Ignaz (1757-1831) String Quartets, B301-12, "Six Quartetts for two Violins, a Tenor and Violoncello, opera I [& II]" Longman & Broderip: London, [1786]. Pl.n: 467/n.p.n. Folio. 19/27 + 16/23 + 14/23 + 15/21 pp. Disbound. Viola part has closely trimmed right-hand margin but not affecting the musical text, otherwise very good.
  Two complete sets of four parts for the six quartets in each opus (12 total). Benton 3018 & 3094. Longman & Broderip catalog in Op. II first violin part.
  MUS-06215 $500Inquire
• Pleyel, Ignaz (1757-1831) String Quartets, B301-6, B307-12 & B313-18, "Six Quartetts for two Violins, a Tenor and Violoncello, opera 1 [2, 3]" Clementi: London, [c 1801-6]. Pl.n: "Pleyel's Quartett's Op: 1 [...Op. 2/n.p.n.]. Folio. Opp. 1 and 2 continuously paginated, 45 + 39 + 37 + 33 pp.; Op. 3, 31 + 26 + 19 + 20 pp. Disbound. Marginal waterstains on violin and viola parts in first set of quartets, otherwise very good.
  Three complete sets of four parts with six quartets in each opus (18 total), published together. Benton 3010, 3087 & 3124.
  MUS-06214 $700Inquire
• Pleyel, Ignaz (1757-1831) String Quartets, B319-24, "Six Quartetts for two Violins, a Tenor and Violoncello, opera 6" Longman & Broderip: London, [c 1790]. Pl.n: n.p.n. Folio. 21 + 18 + 18 + 16 pp. Disbound. Fine.
  Complete set of four parts. Benton 3154. Longman & Broderip catalog in first violin part.
  MUS-06221 $300Inquire
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  Pleyel, Ignaz (1757-1831) String Quartets, B331-42, "Douze Nouveaux Quatuors dédiés A Sa Majesté le Roi de Prusse, 1[-4] Livraison" Imbault: Paris, [1787-94]. Pl.n: 67, 70, 71, 72. Folio. 13/13/13/13 + 10/13/12/12 + 10/11/12/12 + 10/11/12/10 pp. 4th page of second violin part is in contemporary manuscript. Disbound. Title pages faded and crudely restored, the edges of some pages reinforced, musical text of back pages of second violin and viola worn but legible, otherwise good.

  A complete set of parts for the twelve Prussian Quartets. Second violin pp. 7-8 supplied in contemporary manuscript. Title page on first violin only. Benton 3247, 3253, 3259, 3265.
  MUS-06224 $300Inquire
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  Pleyel, Ignaz (1757-1831) String Quartets, B331-42, "Three Quartettos for two Violins, a Tenor and Violoncello, Composed & Dedicated to the King of Prussia...Op. 9, Book 1[-4]" W. Forster: London, [1787]. Pl.n: 69-72. Folio. 47 + 38 + 34 + 34 pp. Disbound. Very light browning in first two books of each part, otherwise very good.

  Complete set of four parts of the complete opus of twelve quartets, with attractively engraved title pages bearing an elaborate coat of arms that is actually a careful reproduction of the title page on Imbault's edition of the Prussian Quartets. Benton 3230-33.
  MUS-06223 $600Inquire
• Pleyel, Ignaz (1757-1831) String Quartets, B337, "No. [3] of Three Quartetts dedicated to His Majesty The King of Prussia" Clementi: London, [c 1806]. Pl.n: "Pleyels Quartetto's Book 3d". Folio. Paginated 26-37 + 24-34 + 24-33 + 22-31. Disbound. Fine.
  Complete set of four parts. Benton 3220.
  MUS-06228 $200Inquire
• Pleyel, Ignaz (1757-1831) String Quartets, B346-51, "A Seventh Sett of Six Quartettos, for Two Violins, Tenor & Violoncello, composed & dedicated to his Royal Higness the Prince of Wales...Op. 20" W. Forster: London, [1799]. Pl.n: 128. Folio. 25 + 25 + 21 + 17 pp. Disbound. Fine.
  Complete set of four parts, each with handsomely engraved title page. Benton 3400.
  MUS-06233 $375Inquire
• Pleyel, Ignaz (1757-1831) String Quartets, B346-51, "Six Quartets for Two Violins, Tenor & Violoncello, Dedicated to his Royal Highness the Prince of Wales...7th Sett" J. Dale: London, [1791-1802]. Pl.n: n.p.n. Folio. 22 + 21 + 19 + 15 pp. Disbound. First violin title page soiled with some wear and ink markings, a few pencil perfmance markings with many bifolios detached, otherwise very good.
  Complete set of four parts. This edition noted in neither Benton nor BUC.
  MUS-06236 $275Inquire
• Pleyel, Ignaz (1757-1831) String Quartets, B346-51, "Six Quatuors concertans pour deux Violons, Alto et Basse, composés et dédiés à S. A R. le Prince de Galles, 7e. Liv. de Quatuors" Imbault: Paris, [1806-11]. Pl.n: 96. Folio. 24 + 24 + 24 + 19 pp. Disbound. Fine.
  Complete set of six quartets, with title pages on each of the four parts. Benton 3409.
  MUS-06235 $300Inquire