Music & Printed Scores

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  Rubinstein, Anton (1829-1894) Barcarolle. Op. 50, No. 3 C. F. Kahnt Nachfolger: Leipzig, [c 1885]. Pl.n: 2692. Large quarto. Original blue paper wrappers. A few creases and minimal wear to edges. In excellent condition.

  The third piece of Rubinstein's Six Pièces caractéristiques, Op. 50.

  Published ca. 1885, based on plate number.

  MUS-07133 $60Inquire
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  Rubinstein, Anton (1829-1894) Points d'Orgue pour le 4me. Concerto, Op. 58, de L. van Beethoven. B. Schott's Söhne: Mainz, [1862]. Pl.n: 16714. first edition. Large quarto. 14 + 1 (advertisement) pp. Original mint-colored wrapper (a little toned with a few chips to edges). Dealer stamp on title page. A few creases and a little edge wear. A very clean copy overall.

  Rubinstein's cadenzas for Beethoven's Fourth Piano Concerto.
  MUS-07132 $85Inquire
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  Rubinstein, Anton (1829-1894) Trio für Pian, Violine und Violoncell. Op. 15. No. 1 in F. Neue, vom Componisten revidirte Ausgabe. Friedrich Hofmeister.: Leipzig, [1882, as per WorldCat]. Pl.n: 4942. Quarto. 47 pp. [pno score]; 9 pp. [vln]; 9 pp. [vlc]. Piano score with original paper wraps, just a little worn with tape reinforcement at spine. A nice, clean copy.

  Piano score and parts. This may be a second edition; the trio was first published in 1855.
  MUS-15547 $85Inquire
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  Rudolph, C.F. Cecilia Waltz A. Fiot / W. Dubois: Philadelphia / New York, 1848. Engraved. Quarto. 2 pp. Disbound. Light stains. Oveall a very nice copy.
  MUS-07134 $15Inquire
• Ruiz de Ribayaz, Lucas (1626-1667) Los Guitarristas Lucas Ruiz de Ribayaz: Luz y Norte Musical. Transcription realizada con la colaboraciòn Maria-Rosa Calvo-Manzano Alpuerto: Madrid, 1982. Facsimile and transcription of the original Madrid 1677 edition. Quarto. 160 pp. of facsimile + 42 pp. of commentary (in Spanish) + 74pp. of transcription. Original d/j, red simulated leather. Top of spine a little bumped, covers slightly worn, otherwise excellent. FAC-10623 $300Inquire
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  Rziha, Francis Music of the Steyermarkische Company. Fort Mitchell Polka Chas. Reps: Columbus, GA, 1849. Engraved. Quarto. 6 pp. Disbond; title page detached. Good condition. Foxing to title page. Water stain at bottom of all pages and small chips to bottom of last page (none affecting). Light bleed through.

  Francis Rziha was the leader of the Steyermarkische Co.
  MUS-07135 $20Inquire
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  Saint-Saëns, Camille (1835-1921) Deuxième Trio (en Mi mineur) pour Piano, Violon et Violoncelle. Op. 92. A. Durand & Fils.: Paris, 1892. Pl.n: D. & F. 4552. Possible first edition. Quarto. 60 pp. [pno score]; 15 pp. [vln part]; 15 pp. [vlc part]. Piano score with original paper wraps. In very good condition. Piano score with some performance markings in first and second movements.

  Piano score and parts.

  With trimmed and detached wrappers in which all parts were likely originally sold.

  MUS-15548 $125Inquire
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  Saint-Saëns, Camille (1835-1921) Havanaise for the Violin with Piano Accompaniment. Op. 83. Fingers and Bowings by C. M. Lœffler. Boston Music Company: Boston, 1916. Pl.n: B.M.Co. 4590. Quarto. 7 pp. [vln part] + 15 pp. [pno part]. Original paper wrappers. Very minor tear to bottom left corner of front cover with signature of former owner at top. A few fingerings/bowings penciled in violin part. Otherwise a nice, crisp copy.
  MUS-06401 $35Inquire
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  Saint-Saëns, Camille (1835-1921) Sonate pour Piano et Violon. Op. 75. Durand: Paris, [1885]. Pl.n: D. S. 3541. first edition. Large quarto. 15 pp. [vln part] + 39 pp. [pno part]. Cover a bit dusty with minor chips and signature of former owner at top. Cover and final blank detached. Minor wear to a few page edges. Otherwise clean and in good condition.

  Publication date based on plate number.
  MUS-06402 $125Inquire
• Salieri, Antonio (1750-1825) Falstaff ovvero Le tre burle: Opera in 3 atti. Nuova edizione neela revisione a cura di Eva Riccioli Orcchia. Libretto di Carlo Prospero de Franceschi. Piano Vocal Score. Manuscript facsimile Edizioni Musicale Otos: Florence, 1968. Large quarto. 480 pp. Ozalid reproduction. Paper wraps. Spine tips and edge of front cover a little chipped. Interior lightly and evenly sunned, but overall condition excellent. FAC-06144 $350Inquire
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  Salomirsky, P. Il Faut Mourir Quand On Est Malheureux! Oblong quarto. 4 pp. Disbound and detached. Foxed, but otherwise in good condition.

  No publishing information is provided for this little lamenting French song in F minor, the cover of which bears a large and clean lithograph of a stormy scene by nineteenth-century lithographer Karl Petrovic Beggrov.
  MUS-15250 $15Inquire
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  Sanderson, J. The Bugle Horn Overture, to the Grand Spectacle of Joanna of Surinam, Performed with universal applause at the Royal Circus, Composed and arranged in a familiar stile, for the Piano Forte. Op. 20. J[ohn] Longman: London, [ca 1801-1816]. Engraved. Quarto. 8 pp. Disbound. Overall in good condition. Last page detached with some toning. Ink transfer throughout. Manuscript pagination above printed pagination.

  Published between 1801 and 1816, based on publisher's address.
  MUS-07137 $35Inquire
• Sanderson, James (1769-1841) A Series of Popular Airs with Variations for the Violin with an Accompaniment for a Second Violin Composed and Dedicated to N. Mori, Esqre. by Ja. Sanderson, No. 2. Op. 53. [Kinloch of Kinloch] Clementi: London, [after 1821]. Pl.n: n.p.n. Folio. 6 + 2 pp. Pages browned with untrimmed tattered edges but broad margins leave musical text completely intact, title page attached with hinges, otherwise very good.
  Two separate violin parts. Watermark: 1821. Sanderson was a violinist and conductor in the London theater who in 1812 adapted a Scottish folk melody for use with words from Sir Walter Scott's "Lady of the Lake" to create "Hail to the Chief." It was published in the US during the War of 1812 and gained some popularity then, but only later became defined as the official musical tribute to the US President, with different lyrics.
  MUS-06475 $100Inquire
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  Sauret, Emile (1852-1920) Quatre Morceaux de Salon pour Violon et Piano. Op. 40, No. 3: Farfalla. Otto Forberg: Leipzig, [1889]. Pl.n: 1513. Apparent first edition. Quarto. 5 pp. [vln part] + 9 pp. [pno part]. Original blue paper wrappers (separating at spine with a few chips at edges and signature of former owner at front). Occasional pencilled marking in violin part, otherwise fine.

  Publication date based on plate number.
  MUS-06403 $60Inquire
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  Schmitt, Jakob (Jacques) (1803-1853) Bagatelles en forme des Mazurkas pour le Pianoforte. Op. 255. Schuberth & Niemeyer: Leipzig, Hamburg & Itzehoe Pl.n: H. XXX. B. 1. Oblong quarto. 11 pp. Disbound. Paper tape at spine. Title page detached. A little foxing and spotting throughout, but overall fine.

  Published between 1830 and 1839, based on publishing company name (Niemeyer was only part of Schuberth's business from 1830 to 1839).
  MUS-14922 $35Inquire
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  Schoenberg, Arnold (1874-1951) Begleitungsmusik zu einer Lichtspielscene, Op. 34. Partitur Heinrichshofen: Magdeburg, [1930, as per WorldCat]. Pl.n: Gegr. 1797. Apparent first edition. 46 pp. Stamped on front cover: "Society of European Stage/ Authors and Composers, Inc./113 West 42nd. St./ New York. Paper wraps. Covers detached and chipped along edges; inside clean and fine.

  Accompaniment to a Film Scene (Begleitmusik zu einer Lichtspielscene) is a short 10-minute work written in 1930, using Schoenberg's by then entrenched 12-tone technique. In 1929 Schoenberg was commissioned by the Heinrichshofen Verlag in Magdeburg to write film music but it appears that Schoenberg never complied with the instructions and the work remains music for an imaginary (silent) film sequence, although one using the suggested key words “Threatening Danger, Fear, Catastrophe,” which the composer uses as a subtitle. Although no film ever transpired, the work was premiered in 1930 in Berlin under the direction of Otto Klemperer and later received its American premiere at the Hollywood Bowl, under the direction of Nicolas Slonimsky.
  MUS-09844 $125Inquire
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  Schoenberg, Arnold (1874-1951) Three Pieces for Chamber Orchestra (1910). Score, Fascimile and Parts. Belmont Music Publishers: Los Angeles, 1962. first edition. Small quarto. 13 pp. [score + facsimile]; all parts 1 p. each. As new with Complimentary Copy stamp on front wrapper, not affecting.
  MUS-07352 $150Inquire
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  Schroeder, Henry L'Èlite de Salon. Quadrille. Firth, Pond & Co.: New York, 1862. Engraved. Large quarto. 7 pp. Original pink-toned colored wraps (detached; edges lightly worn). A crisp copy in excellent condition.

  Pencilled inscription on title page, likely in the composer's hand: Misses Throckmorton / With Kind regards from the Authors.
  MUS-14927 $35Inquire
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  Schroeter, J.S. (c. 1752-1788) The Field of Battle For the Piano Forte. Harrison & Co.: London, [1797]. Engraved. Octavo. 14 pp. Disbound. A crisp copy in excellent condition.

  The music bears little programmatic notes above the staves, including The sounding of the trumpet, The army is ranged for combat, and The advanced guard fire their pistols.

  The German composer and pianist Johann Samuel Schroeter made his London debut around 1773 and became an organist at that city's German Cathedral. The following year, Johann Christian Bach took an active interest in promoting him, and after Bach's death in 1782, Schroeter succeeded him as the music master to Queen Charlotte. He was among the foremost pianists in London at the time.

  Publication date as per WorldCat.

  MUS-14862 $200Inquire
• Schubert, Franz (1797-1828) Erlkönig [D328], für das Pianoforte übertragen zu vier Händen von Fr. Brissler. Ed Bote & Bock: Berlin, [1856]. Pl.n: B.&.B.3561. Folio. 17 pp. Bound in paper folder with handwritten label on cover. Bottom corner bent, otherwise very good. MUS-06265 $115Inquire
• Schubert, Franz (1797-1828) Lied, "Schäfers Klagelied, D. 121" Musica manuscripta, II: Graz, 1978. Oblong quarto. Linen boards. Fine.
  Four facsimile manuscript pages in separate pocket; facsimile of first printed edition title page; 20-page commentary by Franz Grasberger.
  FAC-01005 $75Inquire
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  Schubert, Franz (1797-1828) Lieder, "Fünf Erste Lieder. Facsimiles of the first printed editions of: 'Am Erlaf=See', 'Widerschein', 'Die Forelle', 'Erlkönig', 'Gretchen am Spinnrade'" [also a facsimile of ms.] Universal: Vienna, 1922. No. 1 of an edition limited to 50. Oblong quarto. 43 pp of facsimile & 9 pp of commentary by O. E. Deutsch. Cloth covered boards. Generally fine; edges scruffed, spine rebacked.
  FAC-01007 $300Inquire
• Schubert, Franz (1797-1828) Lieder, "Sechzehn Goethe-Lieder" Peters: Leipzig, 1978. Oblong quarto. 32 facsimile pp. & 36-page commentary booklet by Peter Hauschild. Boards with dustjacket. Fine.
  "Jägers Abendlied"; "Der König in Thule"; "Meeresstille"; "Schäfers Klagelied"; "Die Spinnerin"; "Heidenröslein"; "Wonne der Wehmut"; "Wanderers Nachtlied"; "Erste Verlust"; "Der Fischer"; "An Mignon"; "Geistergrüss"; "Nähe des Geliebten", "Gretchen am Spinnrade" [facsimile of printed edition], "Rastlose Liebe", "Erlkönig".
  FAC-01006 $200Inquire
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  Schubert, Franz (1797-1828) Schäfers Klagelied. Heidenröslein. Jägers Abendlied. Meeres Stille von Goethe. Für eine Singstime mit Begleitung des Piano=Forte. 3tes Werk.  With Schubert's control mark and paraphed almost certainly by Schubert on back page. Cappi und Diabelli: Wien, [1821]. first edition. Engraved. Oblong quarto. Disbound. Spine unobtrusively reinforced with paper tape. Title page foxed and with light abrasion at right. Some spotting throughout. Small ink stains at bottom margin of pp. 7-8 (not affecting). Small round abrasion at bottom stave of p. 7 ("Meeres Stille", affecting bar line but not any notes). Overall in very good condition and a nice copy.

  Paraphed almost certainly by Schubert himself.

  The very old tradition of a composer marking scores received from a publisher was an insurance against fraud and a common practice in many European countries. Schubert only gave his control mark on a handful of his first editions: only in 1821-1822 and only for Capi & Diabelli. The examples we know of are on the bottom of the back page, as in the example in our offering of the Op. 3 songs.

  It is our opinion that this control mark is almost certainly by Schubert himself. These early editions with control marks are rare and highly desirable. Regarding more about the authenticity of the paraph, please see below.

  Experts have been studying these control markings for a long time and, because the control marks only consist of a paraph in addition to either a few letters or numbers, questions arise as to whether the signature paraphs are in Schubert’s own hand, especially since his brother Ferdinand, also a composer (as well as violinist, organist, and teacher), had the same initials. The distinguished music antiquarian and dealer Otto Haas made a study of over 100 paraphed copies of Schubert editions and came to the conclusion that most of opp. 1-7 were indeed paraphed by Schubert himself. More recently, in 2010, Sotheby’s sold a first-edition copy of the “Erlkönig” with Schubert’s control mark on the last page. They do not go so far as to call it a Schubert signature, though, and explain the problem quite well:

  “Schubert’s control marks have aroused much debate and speculation, some scholars opining that these markings were not written by Schubert himself, but by his brother Ferdinand or Leopold von Sonnleithner. A study of the early Schubert editions in the Gesellschaft der Musikfreunde, Vienna, which houses important collections deriving from Spaun, Sonnleithner, Brahms, Witteczek and Hoboken, shows that the situation is, in fact, a good deal more complicated, since a number of early hands are involved. A few of the markings, for example, in Brahms’s, Spaun’s and Sonnleithner’s copies do strongly recall Schubert's own hand: indeed Brahms himself identifies Schubert’s hand on his copies of 'Gretchen am Spinnrade,' op. 2, and 'Der Wanderer,' op. 4. The positive identification of the composer’s hand from such short inscriptions is always open to question, but we can say that the control marks are present only on the earliest issues of the songs published as Opus 1 to Opus 14, dating from 1821-1822, and confirm these are among the earliest copies issued directly on behalf of the composer.”

  SSC-16316 $5,500More Images/Inquire
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  Schubert, Franz (1797-1828) Schubert-Kalender für 1910. 12 Lieder von Franz Schubert. Mit Illustrationen von Hans Printz. M. Munk: Vienna, 1910. Quarto. Paper wraps, a bit dusty with repaired tear at front top margin. Internally almost as new. A nice copy.

  This charming book presents twelve Schubert songs, one each for every month of the year, alongside lithographs by the noted Austrian artist Hans Printz (1865-1925), six of which are in color. The lithographs are relevant to the songs' subjects. Each song-lithograph pairing is preceded by a list of that month's name days elegantly framed in a gold and green ivy border.

  A really lovely piece of Schubert ephemera.

  MUS-16024 $300More Images/Inquire
• Schubert, Franz (1797-1828) Six Polonaises, Op. 61, "6 Polonaisen für das Piano-forte zu 4 Händen, 61tes Werk" A.O. Witzendorf: Vienna, [after 1832]. Pl.n: C.u.Cz. 211-212. first edition, second issue. Oblong folio. 15 + 15 pp. Disbound. Ink splatters on title page of 2nd volume, faint water stain along bottom margin, otherwise very good.
  2 volumes, D824.
  MUS-06254 $275Inquire
• Schubert, Franz (1797-1828) String Quartet, D887, "Grand Quatuor en Sol pour deux Violons, Alto et Violoncelle, oeuvre 161" Diabelli: Vienna, [1851]. Pl.n: D.&C.No. 9099. first edition. Folio. 23 + 19 + 19 + 19 pp. Disbound. A few pages detached, occasional small stains and light watersaining in upper inner margines on scattered pages throughout, otherwise very good with an attractive overall appearance.
  Complete set of four parts.
  MUS-06269 $1,000Inquire
• Schubert, Franz (1797-1828) Symphonic Fragments Drei Symphonie-Fragmente D.615/704a/936a Bärenreiter: Kassel, 1978. Oblong/Folio. 26 facsimile pp, commentary in German and French. Boards. Fine. FAC-01159 $75Inquire
• Schubert, Franz (1797-1828) Symphony No. 8, B minor, "Unfinished", "Sinfonie in h-moll: "Die Unvollendete" Katzbichler: Munich, 1978. No. 3 of 100 in full leather. Oblong large quarto. 88 facsimile pages + 2 pages of commentary by Walter Dürr and Christa Landon. Brown pigskin. Covers have minor scuffing, otherwise fine.
  Volume 3 from the Gesellschaft der Musikfreunde, Wien.
  FAC-09895 $400Inquire
• Schubert, Franz (1797-1828) Symphony No. 8, B minor, "Unfinished", "Sinfonie in h-moll: 'Die Unvollendete" Katzbichler: Munich, 1978. No. 512 of 1,800. Oblong large quarto. 88 facsimile pages + 2 pages of commentary by Walter Dürr and Christa Landon. Linen, marbled paper. As new.
  Volume 3 from the Gesellschaft der Musikfreunde, Wien.
  FAC-08612 $300Inquire
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  Schubert, Franz (1797-1828) Symphony No. 9 in C Major (D944), arranged, "Sinfonie für Orchester für das Pianoforte zu 4 Händen arrangirt" Breitkopf & Härtel: Leipzig, [1840]. Pl.n: 6204. first edition in this arrangment (simultaneous with the original). Oblong folio. 81 pp. Quarter leather binding, corners bumped, spine worn. Occasional minor foxing, otherwise very good.
  MUS-06275 $400Inquire
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  Schubert, Franz (1797-1828) Three Military Marches for Piano Four Hands, Op. 51, D733, "3 Marches militaires pour le Pianofrte à 4 mains composées par François Schubert. Oeuv. 51 Diabelli: Vienna, [1826]. Pl.n: 2236. first edition. Oblong Folio. 19 pp. Spine reinforced. Small tear on lower right of title page, tattered edges throughout, tear at plate edge of page 7 (music intact), some soiling on last two pages, otherwise good.

  First Edition of Schubert's original work - not an arrangement.
  MUS-10197 $850Inquire
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  Schulhoff, Julius (1825-1898) Galop di Bravura pour Piano. Op. 17 Chez Les Fils de B. Schott: Mayence, [c 1847]. Pl.n: 9144. Quarto. 11 pp. Disbound. A very crisp and clean copy with minor staining (mostly at margins and not affecting). Dealer stamp to title page.

  Published c. 1847, based on the plate number.
  MUS-07147 $20Inquire
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  SCHUMANN SCORE OWNED BY SEIDL Schumann, Robert (1810-1856) Ouverture für grosses Orchester zu Manfred von Lord Byron. Op. 115. Partitur. Breitkopf & Härtel: [1852, as per WorldCat]. Pl.n: 8570. first edition. Engraved. Small quarto. 71 pp. Seidl's stamp on title page and pp. 1, 9, 35, and 51. Howard Shanet's signature on the first free end paper. Blue buckram boards. In good condition overall. Spotting on title and first five pages but quite minor thereafter. Occasional stamps of Columbia University, including a pin-hole stamp across the publishing information on the title page; bookplate of Columbia University on inside front cover. Conductor's performance markings throughout.

  Formerly in the libraries of Anton Seidel and Howard Shanet, and withdrawn from the Department of Music at Columbia University. It is unclear if the performing notes scribbled throughout are those of Seidl, the great Wagnerian conductor, or Shanet, the author of the history of the New York Philharmonic (or someone else entirely).
  MUS-12819 $275More Images/Inquire
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  Schumann, Robert (1810-1856) 14 Stücke für das Pianoforte, op. 99: nos. 4-8 and no. 14 F.W. Arnold: Elberfeld, 1852. Pl.n: "A332". Hofmann p. 217. first edition. Engraved. Quarto. 12 pp. Both covers detached with some spotting throughout; otherwise very good.
  MUS-06288 $75More Images/Inquire
• Schumann, Robert (1810-1856) Bilder aus Osten, Op. 66, "Bilder aus Osten. für Klavier zu vier Händen, Opus 66, revidiert von Alfred Dörffel" Peters: Frankfurt, [late 20th C]. Pl.n: 7045. Oblong. 27 pp. Paper cover. Former owner's label and minor smudge on cover, otherwise as new. MUS-10498 $25Inquire
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  Schumann, Robert (1810-1856) Drei Romanzen für das Pianoforte, op. 28 Breitkopf & Härtel: Leipzig, 1840. Pl.n: 6397. Hofmann p. 69. first edition. Engraved. Quarto. 19 pp. Very good. Disbound and unsewn.
  MUS-06293 $200Inquire
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  Schumann, Robert (1810-1856) Etudes for Piano, Op. 10, "VI Etudes de Concert pour le Pianoforte composées d'aprés des Caprices de Paganini, op. 10" Hofmeister: Leipzig, 1835. Pl.n: 2059. Hofmann p. 25. first edition. Engraved. Quarto. 21 pp.

  Very good condition; spine reinforced with cloth tape. Title page stamped "London. Novello, Ewer & Co."
  MUS-06318 $325Inquire
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  Schumann, Robert (1810-1856) Faschingsschawnk aus Wien. Fantasiebilder für das Piano-forte Pietro Mechetti q.m Carlo: Vienna, 1841. Pl.n: 3485. Hofmann p. 65. first edition. Engraved. Quarto. 23 pp. Inserted into modern covers with linen spine. Pages a little thumbed, but overall very good.
  MUS-11117 $250Inquire
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  Schumann, Robert (1810-1856) IV Märsche für das Pianoforte, op. 76 F. Whistling: Leipzig, 1851. Pl.n: 528. first edition, Second Issue. Engraved. Large quarto. 25 pp. Outer covers detached and a little frayed, otherwise very good.
  MUS-06301 $200Inquire
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  Schumann, Robert (1810-1856) Jugend-Album. 43 Kleine Clavier-Stücke für die Jugend. Op. 68 J. Schuberth & Co.: Leipzig, ca 1866. Pl.n: 4062-9. Hofmann p. 151. Early Edition. Quarto. 10 + 10 + 10 + 10 + 10 + 10 + 10 + 10 pp. Overall excellent; disbound.

  An early edition that includes three more pieces than the first edition of 1846.
  MUS-11120 $125Inquire
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  Schumann, Robert (1810-1856) Kinderscenen. Leichte Stücke für das Pianoforte. Op. 15 Breitkopf & Härtel: Leipzig, ca 1842. Pl.n: 6016. Hofmann p. 41. Early Edition. Engraved. Quarto. 20 pp. Cover quite stained and bearing previous owner's name and dealer stamps; occasional spotting throughout.

  Music presented within blue decorative borders. Although not the first, a lovely early edition.
  MUS-11119 $200Inquire
• Schumann, Robert (1810-1856) Lieder, Op. 29. "Drei Gedichte von Emanuel Geibel" Schott: Mainz, 1981. Folio. 32 facsimile pp. Boards. As new. FAC-01009 $75Inquire
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  Schumann, Robert (1810-1856) Nachtlied von F. Hebel für Chor und Orchester, op. 108. Partitur Full score. N. Simrock: Bonn, 1853. Pl.n: 5327. Hofmann p. 235. first edition. Quarto. 29 pp. Fair. Detached; all edges frayed and chipped.
  MUS-06305 $50Inquire
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  Schumann, Robert (1810-1856) Nachtstücke for Piano, Op. 23, "Nachtstücke für das Piano-forte" Pietro Mechetti q.m Carlo: Vienna, 1840. Pl.n: "P.M. No. 3288". Hofmann p. 59. first edition. Engraved. Quarto. 19 pp. Spine reinforced with green paper tape. Cover heavily spotted and all edges of pages; water stain at upper right throughout.
  MUS-06306 $60Inquire
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  Schumann, Robert (1810-1856) Neujahrslied von Friedrich Rückert für Chor mit Begleitung des Orchesters. Op. 144, Clavierauszug J. Rieter-Biedemann: Winterthur. Pl.n: 193. Hofmann p. 315. first edition of piano-vocal score. Engraved. Large quarto. 55 pp. Overall good, with original outer covers chipped and detached and one page torn at right margin.
  MUS-11121 $200Inquire
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  Schumann, Robert (1810-1856) Ouverture für grosses Orchester zu Manfred. Op. 115. Breitkopf & Härtel: Leipzig, [1888]. Pl.n: V.A. 850. Small quarto. 71 pp. Green buckram boards with inlaid cherub decoration on front cover. An attractive copy overall and very clean internally. Binding separated between pp. 8-9 and coming loose generally. Spine with minor rubbing.

  Published in 1888 based on plate number and as part of Breitkopf und Härtel's Volksausgabe series. A charming little edition, formerly the copy of musicologist Sigmund Leverie.
  MUS-14622 $150Inquire
• Schumann, Robert (1810-1856) Papillons Op. 2 [Facsimile] Nach dem Autograph und der Originalausgabe Universal: Vienna, 1973. Folio. A 16-page printed edition + 14 pp. of manuscript facsimile in a separate fasicle + 2 pp. of commentary in German, French and English. Wrappers. As new. FAC-10356 $35Inquire