Music & Printed Scores

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  Himmel, Friedrich Heinrich (1765-1814) Duettino für Zwei Stimmen mit Begleitung des Forte-Piano. ["Im hohen Schilfe"] Bureau de Musqiue von Rudolph Werckmeister: Oranienburg, 1835 [as per WorldCat]. Pl.n: 13. Engraved. Oblong quarto. 3 pp. Detached. Unevenly trimmed at bottom and side (not affecting). Some bleedthrough and transfer, but music clear and legible with deep impressions.

  A duet for two unspecified voice types (both parts written in treble clef) and in 6/8 time.

  Sold together with: Himmel, Friedrich Heinrich. Ida an die Rose. [Trio for Soprano, Tenor, and Bass with Piano Accompaniment]. Gröbenschütz und Seiler: Berlin, c 1814 [as per WorldCat]. Engraved. Oblong quarto. 5 pp. Disbound. A nice copy with deep impressions. Title page detached. Foxing throughout, mostly at margins. Right edges a little unevenly trimmed (not affecting).
  MUS-15195 $25More Images/Inquire
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  Hindemith, Paul (1895-1963) Sonate für Klavier vierhändig (1938) B. Schott's Söhne: Mainz, 1939. Pl.n: "B.S.S 35830". first edition. Folio. 31 pp. As new.

  This sonata was written specifically for piano four-hands.
  MUS-11135 $100Inquire
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  Hindle, Johann and Agostino Steffani A Set of Glees for Three, Four, & Five Voices. Op. 2. To which is added a Composition of the Celebrated Agostino Steffani. Longman & Broderip: London, [c 1793, as per WorldCat]. Engraved. Oblong quarto. 40 pp. Disbound. A very clean copy in excellent condition. Manuscript initials on title page at corner (not affecting).

  Bound in at the back of the volume are three vocal trios by J. W. Callcott.

  Johann Hindle was an Austrian composer and double bassist who performed with the orchestras of the Theater an der Wien and the Burgtheater. He is best remembered today for his treatise Kontrabass Schule, which was published in two parts in the 1850s.
  MUS-15223 $30Inquire
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  HIRAI - SIGNED SCORE Hirai, Kozaburo Nihon No Fue (Japanese Flute) Signed "Kozaburo Hirai" on a tissue sheet glued to the inside of the cover with a hand-drawn flower inscribed by the composer "To Miss S. [Suzanne] Bloch with my heartiest greetings". Kawai Gakufu: Tokyo, 1960. Quarto. 60 pp. Original D/J; white boards with green endpapers. Pristine condition except for bumped spine edges and D/J which has small tears to top and bottom edge of spine.

  The composer is referring to Suzanne Bloch, the noted lutenist and daughter of the composer Ernest Bloch.
  SSC-12907 $125Inquire
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  Hoffman, Richard Souvenir de Trovatore de Verdi William Hall & Son: New Yok, 1860. Pl.n: 3686. Quarto. 11 pp. Disbound. Fair condition. Evenly toned. Outer pages detached and most pages detaching. Chips to all edges from former binding (not affecting). Minor creasing throughout.
  MUS-06981 $25Inquire
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  Hoffman, Richard Souvenir de Trovatore de Verdi William Hall & Son: New York, 1856. Pl.n: 3686. first edition. Engraved. Folio. 11 pp. Original paper wrappers (with dealer stamp, small tear to front, and chipped edges). Some ink transfer throughout and edges slightly rippled. Otherwise very good condition.
  MUS-06982 $35More Images/Inquire
• Holst, Gustav (1874-1934) Chamber Operas: "Savitri", Op.25; "Wandering Scholar", Op.50 Faber: London, 1974. Vol. I of the collected facsimile edition. Large folio. 207 facsimile pp. Cloth. As new in dustjacket. FAC-01776 $100Inquire
• Holst, Gustav (1874-1934) First Choral Symphony, Op 41 Faber: London, 1983. Vol. IV of the collected facsimile edition. Large folio. 172 facsimile pp. Cloth. As new in dustjacket. FAC-09459 $100Inquire
• Homann, F.P. XII Duetti Facile e progressive per due violini, Composte dal Sigr. F.P. Homann. Liv. II Simrock: Bonn, [1814]. Pl.n: 1079. Folio. 11 + 11 pp. Spine reinforced. Overall very good with untrimmed edges.
  Two separate violin parts.
  MUS-06466 $125Inquire
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  Hook, James (1746-1827) Overture in the Lady of the Manor [for piano] S. A. and P. Thompson: London, [c 1778]. Engraved. Oblong quarto. 7 pp. Disbound. No title page (which may never have existed to begin with). In excellent condition. Vertical crease to pp. 5-6.

  The Lady of the Manor is an English comic opera in three acts by James Hook to a libretto by W. Kendrick. It premiered at Covent Garden in 1778, though Hook added new songs in 1788 and revised the score between 1815 and 1817, resulting in a second premiere at Drury Lane in 1818.

  This piano reduction of the overture was likely published shortly after the opera's premiere in 1778, when the score was issued in parts as Hook's Op. 20.

  MUS-14912Inquire for PriceInquire
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  Hummel, Johann N. (1778-1837) "Les Adieux" Grand Concerto pour le Piano Forte sans Accompt. D'Orchestre. Op. 110. H. A. Probst: Leipzig, [1826]. Pl.n: 273. first edition. Engraved. Oblong quarto. 59 pp. Disbound (with pinholes from former binding at margins). Green marbled edges. A very good and clean copy. Title page beginning to detach. Some toning to margins throughout.

  The solo piano part with orchestral cues throughout.
  MUS-06997 $75Inquire
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  Hummel, Johann N. (1778-1837) Amusement, (a la Caprice) for the Piano Forte. [Op. 105], No. 2: A l'Autrichienne. Addison & Beale: London, [1824]. Pl.n: 98. Engraved. Quarto. 9 pp. Disbound. Pinholes from former binding at margin. Good overall. Title page detaching. Some pencil markings (mostly fingerings). Tears to last page reinforced with newspaper (not affecting music, but some newspaper contents visble on otherwise blank verso).
  MUS-07004 $25Inquire
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  Hummel, Johann N. (1778-1837) Cherubini's Overture to Les Deux Journees, Arranged for the Piano Forte [with accompanying flute/violin part] by J. N. Hummel.
  No. 16 of T. Boosey & Co.'s Collection of Overtures. T. Boosey & Co.: London, [ca 1830]. Engraved. Quarto. 12 + 2 pp. Disbound with paper tape at spine. Very good condition. Light water stains to bottom margin of piano part throughout (not affecting). Corner missing of flute/violin part (not affecting). Owner's signature on title page.

  Throughout the 1820s, Hummel arranged a great number of symphonic works for piano for publishers in London. This is one of at least 24 opera overtures that he arranged. He was noted for his ability to rework musical material with popular appeal in a way that was marketable and that did not forsake his high musical standards.
  MUS-07006 $40More Images/Inquire
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  Hummel, Johann N. (1778-1837) Cherubini's Overture to Lodoiska, Arranged for the Piano [with accompanying flute/violin part] by J. N. Hummel.
  No. 3 of T. Boosey & Co.'s Collection of Overtures. T. Boosey & Co.: London Engraved. Quarto. 9 + 3 pp. Disbound. Piano part with pinholes at margins from former binding. Flute/Violin part detached (and pages loose). Very good condition. Piano part with crease and stain to cover and first page; some ink transfer throughout but very clean overall. Flute/Violin part with chips and small tear to margin (not affecting).

  Throughout the 1820s, Hummel arranged a great number of symphonic works for piano for publishers in London. This is one of at least 24 opera overtures that he arranged. He was noted for his ability to rework musical material with popular appeal in a way that was marketable and that did not forsake his high musical standards.
  MUS-07007 $40More Images/Inquire
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  Hummel, Johann N. (1778-1837) Grosses Concert für das Piano-Forte. Op. 85. Tobias Haslinger: Vienna, [ca 1821]. Pl.n: T. H. 3007_3221. first edition. Engraved. Quarto. 48 pp. Blue paper wraps. Overall a good and readable copy. With manuscript title page (printed title page not present). Some fingerings marked in pencil throughout. Thumb worn with occasional spotting and ink transfer.

  Hummel's Piano Concerto No. 2 in A minor. Piano part (with orchestral accompaniment provided in reduction during solo rests).
  MUS-06993 $75More Images/Inquire
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  Hummel, Johann N. (1778-1837) La Bella Capricciosa for the Piano Forte Metzler & Co. Music Sellers: London, [ca 1833-1842]. Engraved. Quarto. 15 pp. Disbound. Title page detaching. Ink transfer and occasional pencil markings throughout. Marginal stain to pp. 1-5 (not affecting). A nice and readable copy overall.

  Published between 1833 and 1842, based on publisher's address.
  MUS-07005 $25Inquire
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  Hummel, Johann N. (1778-1837) L'Etoile du Matin, Rondeau Villageoise. Op. 122. [R. Cocks & Co.]: [London], n/d. Engraved. Quarto. 7 pp. (+ 1 p. advertisement). Title page not present. Fair condition. First page detached with minor tear at bottom; all other pages detaching. Water stain at fold throughout. Occasional pencil markings and stains.

  Publisher identifiable on back page advertisement.
  MUS-07001 $30Inquire
• Hummel, Johann N. (1778-1837) Marriage of Figaro, K492, arranged, "Fantasina für das Piano=Forte über ein Thema aus Mozart's: Hochzeit des Figaro, von J.N. Hummel. 124tes Werk." Tobias Haslinger: Vienna, [1833]. Pl.n: 6538. first edition. Oblong quarto. 10pp. Spine reinforced with tape. Title page detached and in poor condition with bits missing along top; lower corners soiled from use, some foxing, otherwise very good. MUS-07002 $150Inquire
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  Hummel, Johann N. (1778-1837) Piano Septet, Op. 74, "Grand Septuor pour le Piano, Flute, Hautbois, Cor, Alto, Violoncello & Contrebasse Composé et dedié a sa majesté [in medallion] Jmperiale Madame la Princesse l'Archducesse Marie Louise d'Autriche...Ouvre 74me" Artaria: Vienna, [1816]. Pl.n: 2451. first edition. Folio. 33 + 7 + 7 + 5 + 8 + 7 + 6 pp. One page in piano part repaired, crayon markings from previous owners on covers and first pages of parts, but never affecting musical text, otherwise very good.

  Piano score and full set of parts. The piano score is interesting in having a variable number of staves for the instrumental parts, sometimes above, sometimes below the piano part. The individual instrumental parts are always combined into no more than a grand staff's worth of music, enabling the performance of the piece on two pianos, if both pianists had copies of the piano score.
  MUS-09878 $600Inquire
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  Hummel, Johann N. (1778-1837) Pot Pourri pour le Piano Forte. [Op. 47]. Welsh & Hawes: London, [c 1826-1828]. Pl.n: 2052. Possible first edition. Engraved. Quarto. 11 pp. Disbound. A very nice copy overall. Ink transfer throughout. Stamp on title page.

  It is not known who first published this work. This copy, based on the publisher's address, must date to between 1826 and 1828, and could very well be the first edition. (Hummel is known to have composed the work in the 1820s, though the precise date is unclear.)
  MUS-06990 $40Inquire
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  Hummel, Johann N. (1778-1837) Rondeau Brillant pour Piano seul. Op. 109. Édition Originale et Propriété de l'Éditeur. Tobie Haslinger: Vienna, [1826]. Pl.n: S : u : C : 4740. first edition, later issue. Engraved. Oblong quarto. 13 pp. Disbound. Paper tape reinforcement at spine, but all bifoliums detached (with some separated or beginning to separate). Good despite loose binding. Very light foxing and occasional ink transfer. A few chips to edges (not affecting). Occasional broken plate markings.
  MUS-06996 $40Inquire
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  Hummel, Johann N. (1778-1837) Rondeau pour le Piano Forte. [Op. 11] Engraved. Quarto. 7 pp. Disbound; all pages detached with pinholes from former binding. A very nice and clean copy. Minor water stain to margin of p. 7 (not affecting) and very light and occasional ink transfer.

  No publishing information provided. Likely an early edition. Hummel composed this rondeau in 1804.
  MUS-06984 $35Inquire
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  Hummel, Johann N. (1778-1837) Six Petit Pieces, for the Piano Forte. [Op. 52] Fitzpatrick & Coles: London, [ca 1815-1825]. Early Edition. Engraved. Quarto. 3 pp. Unidentifiable manuscript initials on cover (possibly those of the publisher). Disbound and all pages detached. Edge tattered from former binding (not affecting). A clean copy in good condition. Minor stains and creases at margins, and top of p. 3 cropped (not affecting).

  Contains three of the six pieces of Op. 52: Cadenza, Menuetto, and Allegro. (Romance, Eccossoise, and Rondo not present.)

  Published between 1815 and 1825, based on publisher's address.

  MUS-06989 $25Inquire
• Hummel, Johann N. (1778-1837) Sonata for Piano & Flute, Op. 5, #3, "Sonata for the Piano Forte with an Accompaniment for the Flute Obligato...op. 19 [sic]" Monzani & Hill: London, [1807-29]. Pl.n: "Hummel Op: 19". Folio. 14 pp. Disbound. Final leaf detached, otherwise very good.
  Piano part only. Although printed as "Op. 19," this is actually Op. 5, #3. This edition not listed in Zimmerscheid.
  MUS-06988 $100Inquire
• Hummel, Johann N. (1778-1837) Sonata for Piano & Flute, Op. 50, "A Second Sonata for the Piano Forte with a Flute Accompaniment Obligato...Op. 50" Monzani & Hill: London, [1807-29]. Pl.n: "Hummel Op: 50". Folio. 14 pp. Disbound. Title page detached, otherwise very good.
  Piano part only. This edition not listed in Zimmerscheid.
  MUS-06991 $100Inquire
• Hummel, Johann N. (1778-1837) Twelve Select Overtures of Beethoven, Cherubini, Gluck, Mozart, &c. Arranged for the Piano Forte, with Accompaniments, of Violin, Flute & Violoncello, by J.N. Hummel, Maitre de Chapelle to the Duke of Saxe Weimar. No. [1, 2, 3, 4, 5, 6] T. Boosey & Co.: London, [after 1817-22]. Pl.n: n.p.n. Folio. All parts have marbled boards; piano part has leather spine with gold blind stamp decoration. Fine.
  Piano, violin & cello parts (no flute). Title pages in piano part only.

  CONTENTS:

  
  1. Beethoven, Overture to Prometheus, 7+3+3 pp. (watermark "1817")
  2. Mozart, Overture to Zauberflöte, 7+3+3 pp. (watermarks "1817" & "1822")
  3. Cherubini, Overture to Lodoiska, 9+3+3 pp. (watermark "1822")
  4. Mozart, Overture to Figaro, 9+3+2 pp. (watermark "1822")
  5. Gluck, Overture to Iphigenia, 9+3+2 pp. (watermark "1822")
  6. Himmel, Original Overture, 10+4+2 pp. (watermark "1817")

  The piano part is musically complete by itself (the title pages all read: "The above overtures may be had without the Accompaniments."). Given the writing in the violin part, the arrangement appears playable in any combination of the accompanying instruments with the piano. This is an extremely attractive and nicely bound example of an unjustly neglected repertory.

  MUS-09973 $500Inquire
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  Hummel, Johann N. (1778-1837) and A. André, arranger. Variations pour le Piano-Forte sur l'air: O Du Lieber Augustin. No. 3 des Variations. J. André: Offenbach am Main, [c 1815]. Pl.n: 3381. Oblong quarto. 7 pp. Disbound. In excellent condition (very minor spotting/ink transfer). Dealer sticker pasted to title page.

  Published in or about 1815, based on plate number. The arranger, listed as only "A. André" on the title page, may have been the publisher himself, Johann Anton André. (Johann Anton was the son of the company's founder, Jean André, and inherited the business upon his father's death in 1799.)
  MUS-14874 $125Inquire
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  Infante, Manual Ritmo from "Danses Andalouses" by Manual Infante for Two Pianos Four Hands...A.Z. Mathot, Published and distributed in the public interest with the consent of the Alien Property Custodian under license No. E-51 Edward B. Marks Music Corporation: New York, 1931. Pl.n: 11996-14ph. Quarto. 14 pp + 14 pp. Green and purple paper wraps. Good condition.
  MUS-10229 $40Inquire
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  ITALIAN SONGS - NINETEENTH-CENTURY EDITION [Strenna Musicale.] Stabilimento Tecnico-Musicale: [Napoli], [1844?]. Engraved music and lithographed title page. Oblong quarto. 67 pp. Disbound; first five pages detached. In fair condition. Title page missing. Water stain at left margin of pp. 1-16 (not affecting music). Front page unevenly torn at left with contemporary manuscript markings (not affecting lithograph). The whole a bit foxed.

  One volume of an annual publication of Italian patriotic songs under the title Strenna Musicale. This edition may date to 1844. With songs by Bassi, Berto, Bornaccini, Catalano, Colla, Coronini, Enderle, Lickl, L. Ricci, F. Ricci, and Tivoli.
  MUS-15251 $20Inquire
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  IVES - GROUP OF 7 SCORES Ives, Charles (1874-1954) Signed by Arthur Cohn and John Davison. Quarto. Group crisp and in excellent condition.

  Seven Ives scores, as sollows:

  Seven Songs for Voice and Piano. Cos Cob Press: New York, n/d (possibly the first edition of 1932). 18 pp. Signed Arthur Cohn on cover.

  Seven Songs for Voice and Piano. Cos Cob Press/Arrow Music Press: New York, n/d (reissue of 1932 first edition). 18 pp. Signed John Davison on cover.

  Nine Songs for Voice and Piano. Peer International Corporation: New York, 1956. First edition. 27 pp. Signed John Davison on cover.

  Cos Cob Song Volume. Cos Cob Press: New York, 1935. Apparent First edition. 32 pp. Includes songs by ten American composers; Ives is represented with "Where the eagle", which he wrote in 1900. Signed Arthur Cohn on cover.

  "Chanson de Florian". Mercury Music Corporation: New York, 1950. (First published in 1921 as part of 114 Songs). Quarto. 5 pp. Signed John Davison on cover.

  "The Light That Is Felt". Mercury Music Corporation: New York, 1950. (First published in 1921 as part of 114 Songs). Quarto. 3 pp. Signed Davison on cover.

  "It Strikes Me That…. (November 2, 1920)". Mercury Music Corporation: New York, 1935. (First published in 1921 as part of 114 Songs under the title "An Election"). Quarto. 7 pp. Signed John Davison on cover. (The song sets a commentary on the 1920 election and includes a printed postscript by the composer beneath the last stave about the extent to which political parties do and do not represent the views of the electorate).

  Arthur Cohn was a publisher, conductor, composer, and orchestrator who served as Director of Carl Fisher and was responsible for publishing many of Ives's works. He was also director of the Edwin Fleischer Collection in Philadelphia from 1934-1952.

  John H. Davison was an American composer and pianist who studied at Juilliard, Haverford College, Harvard, and Eastman. A bit uncommon for its time, Davison's music is generally tonal and bears the strong influence of romanticism. He was a good friend of Aaron Copland's.

  SSC-14105 $275More Images/Inquire
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  Ives, Charles (1874-1954) Fourth Violin Sonata. "Children's Day at the Camp Meeting" Arrow Music Press: New York, 1942. first edition of the revised version. Quarto. 7 pp. [vln] + 22 pp. [pno]. As new.

  Composed between 1900 and 1916. For the revised version of 1942, Ives removed the fourth movement.

  Violin part contains a page of notes on performing p. 3; piano part contains two pages of notes on performing p. 6 and the sonata as a whole.

  MUS-14094 $50Inquire
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  Ives, Charles (1874-1954) Second Sonata for Violin and Piano G. Schirmer: New York, 1951. Pl.n: 42051. Quarto. 10 pp. [vln part] + 26 pp. [pno part]. As new.

  Composed between 1914 and 1917 and revised in 1919.
  MUS-14107 $50Inquire
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  Jaell, Alfred (1832-1882) Aus Richard Wagner's Rheingold, Transcription für Piano-Forte. Op. 120, No. 1. B. Schott's Söhne: Mainz, [ca 1864]. Pl.n: 17513. Engraved. Large quarto. 15 pp. Original green paper wraps (detached; front cover with dealer stamp and chips to right edge). A nice and clean copy. Dealer stamp on title page. Outer pages detaching. Occasional creasing and edge wear throughout.

  The first of six transcriptions from Wagner's Der Ring des Nibelungen by Jaell. Published ca. 1864, based on plate number.

  Alfred Jaell was among the foremost pianists of his time. After early studies with his father and Ignaz Moscheles, he concertized throughout Europe and the United States and became the court pianist for the King of Hanover in 1856. Admired and sought after by his audiences and musical colleagues alike, Jaell introduced the renowned soprano Adelina Patti to the American public in 1851 and accompanied Henryk Wieniawski in his famous performances of Beethoven's Kreutzer Sonata. He also helped to popularize the piano works of Louis Moreau Gottschalk by programming them on his recitals. As a composer, Jaell is primarily remembered for transcriptions like these.
  MUS-07020 $40Inquire
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  Jaell, Alfred (1832-1882) Fairy Polka. Op. 26 E. H. Wade: Boston, 1853. Engraved. Quarto. 7 pp. Disbound. Good condition. Minor toning to margins. Some spotting to pp. 2-3. Light creasing throughout.

  Alfred Jaell was among the foremost pianists of his time. After early studies with his father and Ignaz Moscheles, he concertized throughout Europe and the United States and became the court pianist for the King of Hanover in 1856. Admired and sought after by his audiences and musical colleagues alike, Jaell introduced the renowned soprano Adelina Patti to the American public in 1851 and accompanied Henryk Wieniawski in his famous performances of Beethoven's Kreutzer Sonata. He also helped to popularize the piano works of Louis Moreau Gottschalk by programming them on his recitals.

  This particular piece dates to his American tour, which, being so successful, lasted three years (1851-1854).

  MUS-07017 $40Inquire
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  Jaell, Alfred (1832-1882) Farewell Polka. Op. 32. G. André & Co.: Philadelphia, 1854. Engraved. Quarto. 9 pp. Disbound. Good condition. Toned at margins and light staining. Small water stain at top of each page (not affecting).

  Alfred Jaell was among the foremost pianists of his time. After early studies with his father and Ignaz Moscheles, he concertized throughout Europe and the United States and became the court pianist for the King of Hanover in 1856. Admired and sought after by his audiences and musical colleagues alike, Jaell introduced the renowned soprano Adelina Patti to the American public in 1851 and accompanied Henryk Wieniawski in his famous performances of Beethoven's Kreutzer Sonata. He also helped to popularize the piano works of Louis Moreau Gottschalk by programming them on his recitals.

  This particular piece dates to his American tour, which, being so successful, lasted three years (1851-1854).

  MUS-07018 $40Inquire
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  Jaell, Alfred (1832-1882) La Danse des Fées, The Dance of the Fairies, D'Apres F. Godfroid, Rapsodie, pour Piano. Op. 14. W. C. Peters & Sons: Cincinnati Pl.n: 1911_10. Engraved. Large quarto. 11 pp. Original blue paper wraps (detaching with worn edges). A very nice copy overall. Edges a little toned and rumpled. Minor marginal tear to p. 9 (not affecting).

  Published between 1846 and 1866, based on publisher's address.

  Alfred Jaell was among the foremost pianists of his time. After early studies with his father and Ignaz Moscheles, he concertized throughout Europe and the United States and became the court pianist for the King of Hanover in 1856. Admired and sought after by his audiences and musical colleagues alike, Jaell introduced the renowned soprano Adelina Patti to the American public in 1851 and accompanied Henryk Wieniawski in his famous performances of Beethoven's Kreutzer Sonata. He also helped to popularize the piano works of Louis Moreau Gottschalk by programming them on his recitals.

  MUS-07016 $40Inquire
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  Jaell, Alfred (1832-1882) Regrets en quittant la chère Patrie. Nocture pour Piano. Op. 81 Russell & Tolman: Boston, [ca 1858-1862]. Pl.n: 3621. Engraved. Quarto. 11 pp. Disbound with pinholes from former binding. A clean and crisp copy. Staining to title page. Ink transfer throughout (and on verso of last blank page). Manuscript pagination above printed pagination.

  Published between 1858 and 1862, based on plate number.

  Alfred Jaell was among the foremost pianists of his time. After early studies with his father and Ignaz Moscheles, he concertized throughout Europe and the United States and became the court pianist for the King of Hanover in 1856. Admired and sought after by his audiences and musical colleagues alike, Jaell introduced the renowned soprano Adelina Patti to the American public in 1851 and accompanied Henryk Wieniawski in his famous performances of Beethoven's Kreutzer Sonata. He also helped to popularize the piano works of Louis Moreau Gottschalk by programming them on his recitals.

  The title of this piece may refer to the conclusion of his American tour, which, being so successful, lasted three years (1851-1854).

  MUS-07019 $40Inquire
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  JEWISH SONGS FOR VIOLIN 25 Jewish Songs for Violin. Containing the most Popular and Classical Jewish Selections. Book #I. Hebrew Publishing Co.: New York, 1910. Large quarto. 27 pp. Original paper wraps. As new (only a small crease to bottom corner of back wrapper).

  With selections by Rumshisky, Perlmutter & Wohl, and Goldfaden, among others. (For complete list, see scanned image of table of contents.)
  MUS-14795 $35Inquire
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  Kalkbrenner, Frédéric (1785-1849) "God Save the King" Varié Pour le Piano-Forte. Op. 17 H. A. Probst: Leipzig, [ca 1827]. Pl.n: 310. Engraved. Oblong quarto. 7 pp. Disbound. In very good condition. Title page a little browned. Some toning and foxing at margins. Creases to pp. 5-6.

  A version for piano alone labeled "op. 17" on the title page and seemingly published before Kalkbrenner's more well known Variations on God Save the King, for piano and orchestra, op. 99.

  Published in or about 1827, based on plate number.

  MUS-07028 $35Inquire
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  Kalkbrenner, Frédéric (1785-1849) Fantaisie, for the Piano Forte, In which is Introduced The favorite Air of Robin Adair, with Variations. E. Lavenu: London, [ca 1820]. Second Edition. Engraved. Quarto. 19 pp. Disbound; pp. 1-8 detached from pp. 9-19. Good condition. Some light stains and pencil markings throughout.

  Published ca. 1820, based on publisher's address.
  MUS-07035 $40Inquire
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  Kalkbrenner, Frédéric (1785-1849) Gage D'Amité. Grand Rondo pour le Piano-Forte composé et dedié à Jgn. Moscheles. Op. 66. A. Diabelli et Comp.: Vienna, [ca 1825]. Pl.n: D. et C. No 1575. Early edition. Engraved. Oblong quarto. Fair condition. Title page stained. Edges worn. Staining, minor creasing, and ink transfer throughout. Water stain to pp. 17-23. Small hole to top margin of pp. 1-8 and 21-23 (not affecting). But still, a tight copy with good impression.

  Published in or about 1825, based on plate number.
  MUS-14553 $35Inquire
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  KERN, JEROME - COPYIST MANUSCRIPT OF "ONE MORE DANCE" Kern, Jerome D. (1885-1945) Folio. 12 pp. (with music, 16 pp. in total). In very good condition.

  Copyist manuscript in pencil, scored for piano with an additional melody line and no lyrics. Titled "One More Dance" on Harms Inc. music paper. Several notations, possibly in a different hand. The cover is titled in pencil One More Dance / B / Jerome D. Kern.

  "One More Dance" is a waltz from Jerome Kern's highly successful Broadway show Music in the Air (1932). It is the first song in the second act and is sung by the character Bruno.

  Because this score has no lyrics but includes indications such as hurdy-gurdy imitation and bassoons, it may have been intended for the orchestrator, who, in this case, was the illustrious Robert Russell Bennett. Perhaps it was considered for use in the entr'acte prior to the second act.

  Since we acquired this manuscript with other material associated with the premiere of Music in the Air, we are confident it was used in some capacity for the show's highly successful opening on November 8, 1932.

  MAN-15799 $400More Images/Inquire
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  Kienzl, Wilhelm (1857-1941) Ries & Erler: Laibach, [c 1888]. Pl.n: R.4471E. (Publication date as per plate number). Large quarto. 3 pp. Horizontal fold with scattered spotting. In good condition overall.

  Sheet music for the song "Der Kuss" ("The Kiss"), signed and inscribed on the title page by the German composer. Beneath his signature, the composer also adds a four-bar musical quotation from the popular chorus "Selig sind, die Verfolgung leiden um der Gerechtigkeit willen" from his opera Der Evangelimann (1895).

  Wilhelm Kienzl was a major figure in the musical and cultural life of Austria from the 1890s until the 1930s. He was a friend of Wagner as well as a pupil of Liszt. Der Evangelimann was Kienzl's most successful opera, enjoying frequent performances throughout Germany and Austria for a few decades, as well as the support of prominent conductors including Gustav Mahler, Richard Strauss, and Felix Mottl.
  SSC-14373 $375Inquire
• Knapton, Philip The favorite Dutch Minuet and Nightingale Rondo. Arranged as a Duett for Two Performers on One Piano Forte. By Philip Knapton J. Balls: London, [1809-11]. Folio. 5 pp. Disbound. Title page soiled outside plate marks, edges tattered, some bleedthrough in musical text, otherwise very good.
  The last printed page reads "Engrav'd by J. Balls, 12, Castle St. Leicester Square," which dates the plates to 1807-09, while the title page shows the later address, taken up in 1809. Title page also reads "Printed & Sold by S. Knapton...Coney Strt."
  MUS-10200 $75Inquire
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  Kotzwara, Francis (c1715-1791) The Battle of Prague, a Favorite Sonata for the Piano Forte C. Bradlee: Boston Engraved. Quarto. 10 pp. Disbound. In very good condition. Light stains and dealer stamp on title page. Thumb worn with some spotting at margins throughout. Outer pages beginning to detach at bottom centerfold.

  The Battle of Prague was enormously successful in Europe and abroad. The work was first published in 1788 and nearly 40 different early editions survive. It is interesting that this edition should have been published in Boston, as the New Grove Dictionary of Music notes that in that city the piece "was 'indespensable to climax every concert'" at the close of the eighteenth century.
  MUS-07042 $65More Images/Inquire
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  Kozeluch, Leopold (1747-1818) Six piano sonatas and two piano concertos. London, 1780s - 1790s. Early editions. Engraved. Quarto. Disbound but retains original leather spine. Music in excellent condition; particularly crisp and clean for age. Spine cracked and chipping. Additional condition notes below.

  A crisp volume containing early editions of six piano sonatas and two piano concertos by the Czech composer-pianist, who was one of Vienna's most popular musicians at the close of the eighteenth century:

  1. Three Sonatas for the Harpsichord or Piano Forte. Op. 1. Longman & Broderip: London, [c. 1783]. 37 pp.

  2. Three Sonatas for the Harpsichord or Piano Forte. Op. 2. Longman & Broderip: London, [c. 1783]. 34 pp.

  3. Trois Sonates pour le Clavecin ou le Piano Forte, accompangèes d'un Violon et d'un Violoncelle. Opera III. Longman & Broderip: London, [c. 1785]. 33 pp. Sonata I with occasional light bleed through and some penciled fingerings; Sonata II, pp. 14-17 with marginal stains and pp. 19-24 with marginal tears at bottom (some repaired; just affecting bass line on pp. 19-20); Sonata III, p. 33 with tears at vertical plate lines (music remains legible).

  4. A Favorite Concerto, for the Harpsichord or Piano-Forte with Accompaniments, No. 3. (Parts indicated). J. Bland: London, [1795]. 17 pp. Pl.n. "Kozeluch's 3d Con." Uneven right margin, p. 17 (not affecting).

  5. A Favorite Concerto, for the Harpsichord or Piano-Forte with Accompaniments, No. 6 (the 6 is handwritten). (Parts indicated). Birchall & Andrews: London, [1790]. 17 pp. (paginated 52-68). Unidentifiable initials in a contemporaneous hand on title page.

  6. Three Grand Sonatas for the Harpsichord or Piano Forte. Op. 14 or 17. J. Bland: London. [c. 1800]. 28 pp. Pl.n. "Kozeluch, Op: 14".

  7. Three Sonatas for the Piano-Forte or Harpsichord with accompaniments for the Violin and Violoncello. Op. XXVII. Longman & Broderip: London. 35 pp.

  8. Three Sonatas for the Harpsichord or Piano-forte, Composed & Dedicated to Mr. Clementi. Op. 35. J. Bland: London, [1791]. 25 pp. Signed by former (original?) owner on title page (not affecting).

  That Kozeluch was held in high regard by his contemporaries is evidenced by the many ways in which his career shadowed that of Mozart: he was offered Mozart's old court organist appointment in Salzburg in 1781 (but refused it for fear of being similarly mistreated there) and, upon Mozart's death, his Kammer Kappellmeister and Hofmusik Compositor positions at the Viennese court. Kozeluch accepted the latter two and held them until his own death in 1818.
  MUS-07043 $600More Images/Inquire
• Kozeluch, Leopold (1747-1818) Three Sonatas for the Piano Forte with or without Additional Keys and Accompaniments for the Violin & Violoncello, Op. [21] Clementi: London, [c 1801-10]. Pl.n: "Kozeluch Son's Op. 21". Folio. 41 pp. Disbound. Some staining on title page, bottom corner of last page worn, otherwise very good.
  Piano part only, which includes extensive cues for the violin part, possibly sufficient to reconstruct the complete work.
  MUS-07051 $125Inquire
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  Kremenliev, Boris (1911-1988) Pràvo Horò Self-published: Los Angeles, California, c 1955. Facsimile of full score. Small folio. 43 pp. Spiral bound with title on cover. Excellent.

  The Bulgarian-American composer has reconstructed his work from 1940, as he explains in a letter to the conductor-violinist Michel Piastro in 1955. Letter included.
  FAC-14453 $40Inquire