Music & Printed Scores

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  Cramer, J.B. (1771-1858) And are ye sure the News is true, Adapted as a Rondo for the Piano Forte, In which is Introducted as an Andante, The favorite Air in Ariadne Clementi, Banger, Hyde, Collard & Davis: London, 1806. first edition (of rondo alone). Engraved. Milligan, p. 33. Quarto. 10 pp. Overall good except for repaired tears to second and last pages. Disbound.

  J.B. Cramer published his Op. 35, a set of three sonatas for piano, in 1805. This rondo is the third movement of the third sonata in that set. In December 1806, Clementi, Banger, Hyde, Collard & Davis published various movements from Op. 35 as works unto themselves; this is thus the first edition of the rondo as a free-standing piece.
  MUS-06765 $40Inquire
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  Cramer, J.B. (1771-1858) Come Haste to the Wedding, adapted as a Rondo for the Piano Forte, in which is Introduced as an Andante, the favorite Air, of In My Pleasant Native Plains Clementi, Banger, Hyde, Collard & Davis: London, [1806]. Pl.n: Milligan, p. 33. first edition (of rondo alone). Engraved. Quarto. 11 pp. Disbound and detached. A very clean and nice copy.

  J.B. Cramer published his Op. 35, a set of three sonatas for piano, in 1805. This rondo is the third movement of the first sonata in that set. In December 1806, Clementi, Banger, Hyde, Collard & Davis published various movements from Op. 35 as works unto themselves; this is thus the first edition of the rondo as a free-standing piece.
  MUS-06764 $85Inquire
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  Cramer, J.B. (1771-1858) Cramer's Grand Concerto for the Piano Forte, with or without Additional Keys. Op. 10. Preston & Son: London, 1795. first edition. Engraved. Quarto. 34 pp. Good condition. A little soiling throughout. Reinforcement tape at hinge.

  A nice copy of an early work by Cramer that well represents the transitional period in which it was written: the work can be performed on a keyboard of any size compass, showing alternate versions of passages in the upper clef to make use of the expanded-range pianofortes of the 1790s. Referenced in Milligan's thematic catalog on p. 1.
  MUS-06758 $350More Images/Inquire
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  Cramer, J.B. (1771-1858) Étude pour le Pianoforte en Quarante deux Exercices dans les differents tons. 1er Livre. Erard: Paris, 1804. Pl.n: 450. Milligan p. 53. First French Edition. Quarto. 81 pp. Fine. First two pages detached. Disbound with water stain at bottom of first 12 pages. Dealer stamp on title page.

  A very nice copy of the first book of exercises, which was issued the same year as the first edition.
  MTH-06766 $100Inquire
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  Cramer, J.B. (1771-1858) Etude pour le Pianoforte en quarante-deux Exercices dans les differents tons...Livre I and II E.H.G. Christiani: Berlin, 1828. Pl.n: Pl.n 47 (Volume I), 48 (Volume II). Miligan p. 51. Engraved. Oblong quarto. 37 + 43. Marbled boards, heavily rubbed. Fair. Staining, chipping, and minor repairs throughout; two pages in Vol. 1 with damage to right side, including a missing measure on p. 3. Occasional stamp in margins of Cleveland Institute of Music. The binding order is also a little odd: the second book precedes the first and some exercises are out of order (the second book contains some exercises belonging to the first and vice versa).
  MTH-15015 $25Inquire
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  Cramer, J.B. (1771-1858) Introduction et Air Anglais pour le Piano Forte, composés et dédiés A Son Ami Thomas Broodwood [sic]. [Op. 65] Bureau de Musique de C.F. Peters: Leipzig, [1823]. Pl.n: 1752. Engraved. Early edition. Oblong quarto. 14 pp. Disbound; title page detached. Some foxing, but otherwise a very nice and crisp copy.

  Published in October 1823, as per Mulligan's thematic catalogue of Cramer's works. The first edition was published by Goulding, D'Almaine, Potter, & Co. in March of the same year.
  MUS-14911 $40Inquire
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  Cramer, J.B. (1771-1858) J.B. Cramer's 25, New & Characteristic Diversions, Composed for the Piano Forte and Dedicated to his Pupils. Op. 71. Cramer, Addison & Beale: London, 1825. Pl.n: 163. Milligan, p. 69. first edition. Engraved. Quarto. 51 pp. Fine copy despite some ink transfer throughout. Disbound.
  MUS-06772 $75Inquire
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  Cramer, J.B. (1771-1858) J.B. Cramer's Sequel to his Celebrated Book of Instructions for the Piano Forte, Consisting of Expressly Composed & Newly Arranged Pieces, each preceded by a short Prelude Fingered by The Author Cramer, Addsion & Beale: London, 1825. Pl.n: 134. Milligan, p. 67. Engraved. Quarto. 47 pp. A very nice copy. Disbound with light wear to title page.
  MUS-06770 $75Inquire
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  Cramer, J.B. (1771-1858) J.B. Cramer's Sequel to his Celebrated Book of Instructions for the Piano Forte, Consisting of Expressly composed & Newly Arranged Pieces, Each preceded by a Short Prelude Fingered by The Author. No. 1. G.E. Blake: Philadelphia, nd. Engraved. Milligan, p. 67. Quarto. 7 pp. Dealer stamp and light staining on title page; foxing throughout. Disbound.

  The first piece of J. B. Cramer's Sequel, consisting of a prelude and a three-movement sonata.
  MUS-06771 $20Inquire
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  Cramer, J.B. (1771-1858) L'Ambigu, A Divertimento, for the Piano Forte Chappell & Co.: London, 1815. Pl.n: 319. Milligan, p. 116. first edition. Engraved. Quarto. 12 pp. Disbound; fine copy.
  MUS-06774 $65Inquire
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  Cramer, J.B. (1771-1858) Les Adieux de J. B. Cramer à ses amis de Paris. Piece Pour le Piano forte. N. Simrock: Bonn & Cologne, [1815]. Pl.n: 1142. Engraved. Oblong quarto. Original front wrapper (detached). Disbound. Front wrapper quite dusty and worn with blue pencil markings. Ink transfer throughout, but good copy otherwise.

  Publication date as per WorldCat.
  MUS-14872 $40More Images/Inquire
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  Cramer, J.B. (1771-1858) Second Suite Des Etudes Pour le Piano En Quarante Deux Exercices Chez Richault: Paris, nd. Pl.n: 2007.R. Milligan, p. 57. Engraved. Quarto. 93 pp. Very good condition with some ink transfer throughout. Disbound.

  Published between 1823 and 1841, based on publisher's address.
  MTH-06769 $85Inquire
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  Cramer, J.B. (1771-1858) Sonate Nouvelle pour le Piano Forte. Op. 63. Chez Maurice Schlesinger: Paris, [1822]. Pl.n: 31. Engraved. Early edition. Large quarto. 23 pp. Blue paper wraps. Wide margins and deckled edges. Water stain to title page. Otherwise a crisp copy in very good condition with only minor ink transfer at back pages.

  The first edition of this work was published in London in 1821. This edition, issued in Paris, likely appeared the following year (based on plate number and as per WorldCat).
  MUS-14925 $85Inquire
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  Cramer, J.B. (1771-1858) Tems Heureux, Petite Fantasie for the Piano Forte. Op. 68. Cramer, Addsion & Beale: London, 1824. Pl.n: 123. Milligan, p. 127. first edition. Engraved. Quarto. 11 pp. Very good. Disbound with occasional pencil markings throughout.
  MUS-06775 $60Inquire
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  Cramer, J.B. (1771-1858) The Bunch of Green Rushes, Air Irlandais, arrangé en Rondeau pour le Piano-Forté Offenbach: André: 1815-16. Pl.n: 3497. Milligan p. 147. Oblong quarto. 11 pp. Overall good. Disbound with detached outer pages.
  MUS-06777 $40Inquire
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  Cramer, J.B. (1771-1858) The Celebrated Overture in the Opera of Lodoiska, Newly Adapted as a Grand Sonata, for the Piano-Forte, In which is Introduced an additional last Movement, Expressly Composed by J.B. Cramer. L. Lavenu: London. first edition. Engraved. Quarto. 11 pp. Very good with occasional pencil markings. Disbound.

  Published between 1798 and 1805, based on publisher's address.
  MUS-06763 $65Inquire
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  Cramer, J.B. (1771-1858) Two Sonatas for the Piano Forte with an Accompaniment for a Violin. Op. 21 Preston: London, 1800. first edition. Engraved. Quarto. 21 pp. Very good condition. Disbound. Tiny worm hole at bottom near hinge, not affecting.

  According to Milligan, in his thematic catalog of Cramer's works (p. 24), he states that he believes this edition is lost. This may be the only extant copy.
  MUS-06761 $450Inquire
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  Cui, Caesar (1835-1918) Suite concertante pour le Violon avec accompagnement d'Orchestre ou de Piano. Op. 25, No. 3: Cavatina. M. P. Belaieff: Leipzig, 1886. Apparent first edition. 3 pp. [vln part] + 7 pp. [pno part]. Chromolithographed cover. Detached. Dealer stamp at bottom of title page (not affecting). Violin part with some fingerings in blue pencil. A little wear to edges, but otherwise fine with an especially attractive cover.
  MUS-06427 $65Inquire
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  Czerny, Carl (1791-1857) 24 Airs Populaires en Rondeaux composés et doightés pour le Piano. Op. 609, No. 1: Air de Chasse Chez N. Simrock: Bonn Pl.n: 3845. Early edition. Quarto. 5 pp. Good condition; last page detached. Disbound.

  Final page is a table with melodic incipits of the 24 works in this opus.
  MUS-06781 $20Inquire
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  Czerny, Carl (1791-1857) Die Schule der linken Hand auf dem Piano-Forte oder 10 grosse Uebungen componirt mit besonderer Berücksichtigung der Ausbildung der linken Hand jedes Clavierspielers Ant. Diabelli & Comp.: Vienna, 1836. Pl.n: C.S.6051. first edition. Engraved. Quarto. 27 pp. Overall good. Disbound; detached outer pages and occasional pencil markings throughout.
  MTH-06784 $20Inquire
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  Czerny, Carl (1791-1857) Dix-huit Rondeaux & Variations sur des thèmes favoris composés à l'usage des élèves avancés. Op. 454. [Eighteen separate pieces bound together] Chez N. Simrock: Bonn, [1838]. Pl.n: 3421 through 3438. first edition. Engraved. Quarto. Half-leather with red buckram boards and gilt label at spine. A clean and attractive volume. Small dealer stamps on title pages (none affecting), along with stamped number at top (corresponding to the number of the rondeau, see images). Some minor transfer and foxing throughout (esp. to No. 8). The whole in very good condition.

  The complete first-edition set of Czerny's eighteen rondeaux and variations, each installment with its own pastel-colored title page and nicely bound in a single volume. The final page of each piece includes a Catalogue thématique, indicating the melodic source for each of the eighteen works, most of which were taken from popular operas by Weber, Mozart, Donizetti, and Rossini, among others.
  MUS-06779 $250More Images/Inquire
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  Czerny, Carl (1791-1857) Étude de la Vélocité pour le Piano ou 30 Exercices calculés pour developpper l'égalité des doigts. Op. 299. Maison Lahou: Bruxelles, nd. Pl.n: L.1304. Engraved. Quarto. 59 pp. Good condition. Cover a little soiled; margins lightly stained and pencil markings throughout. Disbound.
  MTH-06783 $40Inquire
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  Czerny, Carl (1791-1857) Le Parfait Pianiste. 3.e Vol. Le Progrès 1.er Livre. 25 Études pour le Piano ou Introduction à celles de J.B. Cramer. Op. 749. Chez Maurice Schlesinger: Paris, nd. Pl.n: M. S. 4017. Engraved. Quarto. 50 pp. Incomplete (Etude No. 25 not present after first page). Overall good; some spotting throughout with very small water stain at bottom right corner. Disbound.

  Published between 1824 and 1846, based on publisher's address.
  MTH-06780 $25Inquire
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  Czerny, Carl (1791-1857) Les Plaisirs du Salon. Six Quadrilles pour Le Piano. 2. Montecchi e Capuletti. N. Simrock: Bonn, [ca 1839]. Pl.n: 3574. first edition. Engraved. Quarto. Light ink transfer and minor staining, but overall very good condition. Disbound.

  The second of a set of six quadrilles published as Les plaisirs du Salon, op. 498. This quadrille is titled "Montecchi e Capuletti" and contains five brief movements: Pantalon, L'été, Poule, Trenis, and Finale.
  MUS-06782 $40Inquire
• Czerny, Carl (1791-1857) and M. DURST, arr. Productions de Salon, Cahier 9: Fantaisie pour Piano et Violon concertans sur des Motifs de l'Opéra Die Zigeunerin de M.W. Balfe par Charles Czerny, oeuvre 625, no. 9 and M. Durst, oeuvre 17 Pietro Mechetti q.m Carlo: Vienna, [1850]. Folio. 11 + 4 pp. Some pencil fingerings, otherwise very good.
  Piano score and separate violin part.
  MUS-06364 $75Inquire
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  Czerny, Carl (1791-1857) Rondeaux Mignons faciles et brillants sur divers motifs favoris composés Pour le Piano. Op. 231, No. 2 & No. 3 Chez L. Plattner: Rotterdam, nd. Pl.n: 841 & 842. Engraved. Quarto. 9 + 9. Both fine copies with strong impressions. (Small paperclip mark to one title page.) Disbound.

  The second two of a set of three rondeaux on operatic themes, published as Op. 231: Rondo II. Thema L'Italiana de Rossini and Rondo III. Theme Le Macon de D.F.E. Auber.
  MUS-06786 $60More Images/Inquire
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  Czerny, Carl (1791-1857) Sechs Leichte Sonatinen für das Piano-forte mit Fingersatz, in fortschreitender Ordnung als unmittelbare Fortsetzung jeder Clavierschule. Op. 163, No. 2. G. M. Meyer, Jr.: Braunschweig, nd. , n.p.n. Engraved. Oblong quarto. 7 pp. Fair. Pages detached and lightly stained with chipped margins throughout, not affecting. Dealer stamps on title page.

  With Czerny's original fingerings printed throughout.
  MUS-06787 $20Inquire
• Debussy, Claude (1862-1918) Esquisses de Pelléas et Mélisande (1893-1895) Minkoff: Geneva, 1977. Quarto. 121 pp. including a 10 pp. commentary by François Lesure. As new, unopened. FAC-10095 $150Inquire
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  Debussy, Claude (1862-1918) and Léon Roques, transcription Prélude de 'La Damoiselle Elue.' Transcription pour Violon et Piano par Léon Roques. A. Durand & Fils: Paris, 1906-1909. Pl.n: D. & F. 7317. Large quarto. 1 p. [vln part] + 4 pp. [pno part]. Original paper wrappers (separated at spine). Wrappers a bit worn around edges, but otherwise clean and good.
  MUS-15119 $50Inquire
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  Debussy, Claude (1862-1918) Trois Poèmes de Stéphane Mallarmé pour Chant et Piano. A. Durand & Fils: Paris, [possibly 1913]. Pl.n: D. &. F. 8913. Possible first edition. Quarto. 12 pp. Original wrappers. A very good copy. Some minor edgewear. Penciled signature of former owner, American composer Timothy Spelman, on title page.

  Piano-vocal score only; no separate vocal part.
  MUS-15191 $30Inquire
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  Delannoy, Marcel (1898-1962) Puck. Opera-Féerique en Trois Actes. Inspiré "Songe d'Une Nuit d'Éte" de Shakespeare. [Vocal score] Likely self-published: 1950. first edition; No. 7 of an issue of 150. Large quarto. 253 pp. French- and German-language score. Paper wraps. Spine beginning to lift; a few minor tears to edges of front cover. Pages a bit toned at margins, but otherwise very good and clean.

  Pasted to the verso of the second blank is a sheet of music paper with an autograph musical quotation by Delannoy, replete with lyrics and titled Bottom Âne (Acte unique). (This is a reference to the character Nick Bottom, who repeatedly has his head turned into that of a donkey by Puck.) Delannoy signs and dates the quotation Julliet 1910.

  Pasted to the recto of the second blank is a signed pencil and watercolor of Nick Bottom by the opera's librettist and original costume designer, André Boll.

  Someone has written in blue ballpoint pen on both of these pasted pages, identifying both the composer and librettist (and just affecting the date of Delannoy's inscription).

  Delannoy is not much referred to these days but Ravel said of him that he is the finest composer we have in France. In addition to a few operas and other works, he wrote many ballets and film scores. Puck premiered at the Opéra Municipal in Strasbourg on 29 January 1949 to a positive reception. It is unclear if the opera was ever published in full orchestral score.
  SSC-15097 $225More Images/Inquire
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  Diabelli, Antonio (1781-1858) Le Bouquetier, Quarte Sonatines Pour Le Piano. Op. 151, No. 2 Theune & Co.: Amsterdam, nd. Pl.n: T. C. 560. Engraved. Quarto. 7 pp. Good condition. Former owner's signature on title page; occasional pencil markings; cover reinforced. Disbound with last page detached.
  MUS-06809 $20Inquire
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  Diabelli, Antonio (1781-1858) Philomele, eine Sammlung der beliebtesten Gesänge mit Begleitung des Pianoforte. No. 62. Thema von Caraffa, "O cara memoria | Du süsser Erin'rung" Ant. Diabelli & Comp.: Wien, c 1820 [based on plate number]. Pl.n: C. et D. No. 696. Engraved. Oblong quarto. 11 pp. With text underlay in Italian and German. Cover and last page detached. In good condition. Dealer stamps and light penciled marking on cover (neither affecting).
  MUS-15210 $25Inquire
• Diletsky, Nikola (1677) Musical Grammar [1723] Kiev, 1970. Folio. 94 pp. of facsimile + 109 pp. of modern transcriptions and commentary. Nubbed cloth boards with gold stamping. Slight fading to spine, otherwise fine.
  A facsimile of a 1723 Ukrainian manuscript treatise by Nikola Diletsky on the theory of music [Musikiskaya grammatika], which first appeared as Toga zlota in 1675. The commentary is mostly in Russian with precis in German and English.
  FAC-07564 $400Inquire
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  Dohnanyi, E. Von (1877-1960) Ruralia Hungarica. Three Compositions for Violin and Piano. Op. 32. Carl Fischer: New York, 1928. Pl.n: 24930-32. Possible first edition. 9 pp. [vln part] +25 pp. [pno part]. Paper wrappers. In very good condition. Faint dealer stamp at bottom of front cover and pencilled fingerings/bow markings to pp. 6-7 of violin part.
  MUS-06367 $50Inquire
• Donizetti, Gaetano (1797-1848) Lucia di Lammermoor Bestetti: Milan, 1941. Limited edition of 300 (not numbered). Large oblong folio. Red decorative linen boards and gold lettering, leather spine with gold decorations and raised bands. Especially towards front; spine has been reattached and cover refurbished professionally. Overall a handsome copy.
  Extremely rare.
  FAC-10123 $3,200Inquire
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  Dreyschock, Alexander La Campanella / La Clochette. Impromptu for Piano. Op. 10

  Two editions of Dreyschock's La Campanella:

  Chez Maurice Schlesinger: Paris; Pl.n. M.S.3806; Engraved; Large quarto; 11pp. Good condition with minor staining and dealer stamp on cover page. Disbound with gilt edges. Published before 1846, based on publisher's address.

  Geo. P. Reed; Boston; Pl.n. 257; Lithographed; Large quarto; 13pp. Excellent condition. Disbound.

  MUS-06811 $30More Images/Inquire
• Dryden, John Alexander's Feast or the Power of Musique [the 1697 poem] Oxford University Press: Oxford, 1925. No. 1 of an edition of 500. Folio. 12 pp. of facsimile. Marbled paper wraps. Partially disbound, spine defective.
  A facsimile of Dryden's poem dating from 1697, adopted later by Handel for his oratorio Alexander's Feast.
  FAC-07533 $200Inquire
• Dussek, Johann Ladislaus (1760-1812) Three Sonatas for the Piano-Forte with an Accompaniment for a Violin Composed & Dedicated to Mrs. Cosway...Op. XII Bland & Weller: London, [after 1790]. Pl.n: Plate: "Dusseks Op: 12". Folio. 37 + 9 pp. Disbound. Minimal foxing on title page margins, some pages with minor marks and discoloration, otherwise good.
  Piano part and separate violin part.
  MUS-06816 $275Inquire
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  Dvorak, Antonin (1841-1904) Trio, G moll, für Pianoforte, Violine und Violoncell. Op. 26. Ed. Bote & G. Bock: Berlin, [1880, as per Grove]. Pl.n: 12182. first edition. Quarto. 47 pp. [pno score]; 12 pp. [vln]; 14 pp. [vlc]. Outer pages of piano score wrapped in thin brown paper which is glued to the music at the margins (not affecting, see images); title page with repaired tear and dealer stamp, trimmed and affixed at margins to front wrapper. A good copy with clean music. Signature of former owner on title page and first pp. of string parts.

  Piano score and parts.
  MUS-15543 $135More Images/Inquire
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  Dvorak, Antonín (1841-1904) and Heinrich Grünfeld, arranger Op. 55, No. 4, Bearbeitung für Violoncell und Pianoforte von Heinrich Grünfeld N. Simrock: Berlin/Leipzig, 1906/1908. Pl.n: 12157. Large quarto. 2 pp. [cello part] + 3 pp. [piano part]. Original paper wrappers, detached and taped at spine with dealer stamp to front (not affecting). Light creasing throughout, but otherwise fine.

  The most famous song of Dvorak's 1880 collection Zigeunermelodien arranged for cello.

  Both the piano and the cello parts are dated 1906, which suggests this may be a first edition, but the front wrapper and title page are dated 1908.

  MUS-06827 $20Inquire
• Dvorak, Antonín (1841-1904) Rusalka, Op. 114. Full Score Artia: Prague, 1960. Quarto. 630 pp. Beige linen boards with yellow d/j. Edges of d/j and cover bumped, otherwise excellent condition.
  The critical edition based on the composer's manuscript. This copy formerly owned by American conductor Roland Gagnon, with his signature on the first blank.

  Dvorak's Rusalka is one of the most successful Czech operas, and represents a cornerstone of the repertoire of Czech opera houses. The Czech libretto was written by the poet Jaroslav Kvapil (1868–1950) based on the fairy tales of Karel Jaromír Erben and Božena Nemcová.

  The critical edition based on the composer's manuscript.

  MUS-10876 $200Inquire
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  Dvorak, Antonín (1841-1904) and Friedrich Herrmann, arr. Slavische Tänze für Pianoforte, Violine und Violoncell. No. 1. C dur. N. Simrock: Berlin, 1891. Pl.n: 9421. first edition (of this arrangement). Quarto. 11 pp. [pno score]; 3 pp. [vln]; 3 pp. [vlc]. Detached contemporary paper wraps. A clean copy in very good condition. Dealer stamps on title page and first pp. of string parts.

  Piano score and parts.

  Dvorak first published these popular dances in 1878.
  MUS-07335 $85Inquire
• Eberl, Anton (1765-1808) Piano Variations, Eberl Op. 5 (Mozart K. Anhang 288) and Op. 6 (Mozart K. Anhang 287) Broderip & Wilkinson: London Fine.
  Includes:

  • Piano Variations, Eberl Op. 5, (Mozart K. Anhang 288), Mozart's Variations to favorite Airs for the Piano Forte, No. 15. Preston: London, [after 1810]. Folio. 11 pp. Engraved. Disbound. Cover and several pages soiled and tiny hole in one leaf; a few pencilled markings. These plates were taken over by Preston c. 1810 from Broderip & Wilkinson.
  • Piano Variations, Eberl Op. 6 (1794), Variations on a theme by Ignaz Umlauf, (Mozart K. Anhang 287), Air with Variations for the Piano Forte. Composed by W.A. Mozart. No. [16]. Broderip & Wilkinson: London, [1798-1808]. Folio. 7 pp. Engraved. Disbound. A very nice clean copy.

  Because of the popularity of the name "Mozart," it was not uncommon for works of other composers to be published widely under Mozart's name. Anton Eberl (1765-1808), one of the most frequent victims of these misattributions, was a Viennese pianist and composer (possibly a student of Mozart's), and is known to have been a friend of Mozart. These attributions perhaps came about because Mozart used some of Eberl's music in his teaching. Both Eberl himself and Mozart's widow, Constanze, made public announcements to try to correct the record, but publishers paid little attention, continuing to publish and republish these works under Mozart's name.

  MUS-10575 $100Inquire
• Eberl, Anton (1765-1808) Piano Variations, Eberl Op. 6 (1794), Variations on a theme by Ignaz Umlauf, (Mozart K. Anhang 287), "Air with Variations for the Piano Forte. Composed by W.A. Mozart. No. [16]" Broderip & Wilkinson: London, [1798-1808]. Folio. 7 pp. Disbound. Incomplete pencilled drawing on blank leaf between title page and music, otherwise very good - a clean crisp impression.
  Because of the popularity of the name "Mozart," it was not uncommon for works of other composers to be published widely under Mozart's name. Anton Eberl (1765-1808), one of the most frequent victims of these misattributions, was a Viennese pianist and composer (possibly a student of Mozart's), and is known to have been a friend of Mozart. These attributions perhaps came about because Mozart used some of Eberl's music in his teaching. Both Eberl himself and Mozart's widow, Constanze, made public announcements to try to correct the record, but publishers paid little attention, continuing to publish and republish these works under Mozart's name.
  MUS-10574 $65Inquire
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  EIGHTEENTH-CENTURY SONGS Six Favourite Songs, for the Voice and Piano Forte. The Words By Mr. Harrison. Harrison & Co.: London, [1797]. Engraved. Octavo. 14 pp. + contents page at front. Disbound. A crisp copy in very good condition with only minor ink transfer.

  A set of six songs by six different composers, all with words by "Mr. Harrison":

  Mr. Arne: "The Season of Love"
  Dr. Arnold: "William"
  Mr. Battishill: "Red and White"
  Mr. Carter: "Rosy Morning"
  Mr. Hook: "I Love Them All"
  Mr. Webb: "The Nonpariel"

  Publication date as per WorldCat.

  MUS-14863 $175Inquire
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  Enesco, Georges (1881-1955) Vox Maris, Poem Simfonic, Op. 31. Full Score Editura Muzicala A Uniunii Compozitorilor Din Republica Socialista Romania: Bucharest, 1967. Large Folio (16.5" h x 12" w). 103 pp. Paper wraps. Thumbed at lower corner, spine chipped top and bottom, cover a little soiled, otherwise very good.
  MUS-10776 $200Inquire
• Ernst, Heinrich (1814-1865) Morceau de Salon: Élégie, Chant pour le Violon, avec Accompagnement de Piano, op. 10 Schott: Mainz, [c 1840]. Pl.n: 5825. Folio. 7 + 3 pp. Disbound. Foxing throughout, otherwise good.
  Piano score and separate violin part.
  MUS-06373 $75Inquire