Complete set of three parts. Lithographed title page.

Excerpts include part of the overture, the trio for 3 boys and Papageno's aria.

Complete set of six parts, with amusing title page vignette illustrating some of the musicians the work is intended to ridicule. The vignette is remarkable in showing a violin part laid out on the table around which the musicians play, with the opening theme of the piece entirely legible.

As indicated by the title page rubric "Nach dem Originalmanscripte des Autors herausgegeben," this Mozart first edition was one of the many that André brought out after his purchase of the Mozart autographs from Mozart's widow at the end of 1799.

This first edition is particularly noteworthy as one of the earliest lithographic prints, a printing technology that the André firm pioneered after the hiring of Franz Gleissner, one of the co-inventors of the process.

Complete set of six parts.

This edition bears the same plate number as André's first edition, and Köchel claims that it uses the printed stock of André's first edition with a new title page; however, a close comparison of the two editions shows that Charenton re-engraved the work closely following the layout of André's model. This edition is an example of some of the very earliest French lithography created in André's Charenton workshop, a technology that the André firm pioneered after hiring one of the co-inventors of the process. The vignette is quite crudely drawn in comparison to André's title page, but is nonetheless amusing in its caricature of the type of musicians being mocked by Mozart.

Complete set of six parts, the two horn parts on a single uncut bifolio, demonstrating that the music has never been used.

The amusing title page vignette is a re-working of the original vignette of André's 1802 first edition, but differing from the original in some of the details, most significantly in the different music on the violin part laid out on the table (see MUS-05975, the original André edition, which is the first edition of this piece).

Includes series title page with vignette.Contents:K394, Fantasy and Fuge for piano two handsK608, Organ Piece for a Musical Clock, arr. for piano four hands K501, Five Variations on an Andante for piano four handsK521, Sonata for piano four handsK401, Fugue Fragment for piano four hands (completed by Stadler)K426, Fugue for two pianos.

Piano part and complete set of parts. A deep impression with the piano part having both the original blue wrappers reading "Clavier-Werke von W.A. Mozart. [27]tes Heft" as well as the series title page which bears an engraved vignette of a stone monument (with the series title etched in it) surrounded by a waterfall and woodland creatures (a snake and an owl) and reads "Saemmtliche Werke für das Clavier mit und ohne Begleitung von W.A. Mozart, [27] Heft." A catalog for the series is on back of blue wrapper. See MUS-05970, the Piano Quartet, K493, and MUS-05959, the piano quartet arrangement of the Quintet for Piano & Winds, K452, both part of this same Haslinger series.

Piano part and complete set of parts. A deep impression with the piano part having both the original blue wrappers reading "Clavier-Werke von W.A. Mozart. [28]tes Heft" as well as the series title page which bears an engraved vignette of a stone monument (with the series title etched in it) surrounded by a waterfall and woodland creatures (a snake and an owl) and reads "Saemmtliche Werke für das Clavier mit und ohne Begleitung von W.A. Mozart, [28] Heft." A catalog for the series is on back of blue wrapper. See MUS-05968, the Piano Quartet, K478, and MUS-05959, the piano quartet arrangement of the Quintet for Piano & Winds, K452, both part of this same Haslinger series.

Piano and separate string parts. Includes two-page Sieber catalog.

Piano part and complete set of parts. A deep impression with the piano part having both the original blue wrappers reading "Clavier-Werke von W.A. Mozart. [29]tes Heft" as well as the series title page which bears an engraved vignette of a stone monument (with the series title etched in it) surrounded by a waterfall and woodland creatures (a snake and an owl) and reads "Saemmtliche Werke für das Clavier mit und ohne Begleitung von W.A. Mozart, [29] Heft." A catalog for the series is on back of blue wrapper. See MUS-05968, the Piano Quartet, K478, and MUS-05970, the Piano Quartet, K493, both part of this same Haslinger series.

Two separate violin parts.

Piano part and separate violin parts.

Two complete violin parts.

These duos exhibit an unusual creativity in the transcription process. Of particular note in this regard is the G Minor/G Major sonata (K379, third of the set), which exhibits substantial rewriting of the variation movement that departs markedly from the original figuration and shape of the lines even when the original figuration could have served perfectly well.

Piano part only. Series title page with vignette engraved by Langer, reading "Oeuvres Complettes de Wolfgang Amadeus Mozart XI." Wrapper title page: "Oeuvres de Mozart. Cahier XI. Contenant V Sonates et II Airs variés pour le Pianoforte avec l'accompagnement d'un Violon."

Complete set of parts, each with title page.

Complete set of parts, each with title page, all marked in ink "ex libris Christopher Kreeft 1846." The music library at Harvard has a copy of Mozart's String Quartets K575, 589 and 590 published by Forster that bears the same ex libris designation (Merritt Room Mus 745.1.292.25).

Score. Continuous pagination for full set of quartets at bottom of pages.

Rare. One of the earliest examples of lithography in Sweden. A very good and bright copy.

Complete set of four parts. All title pages stamped and signed by a former owner and New York Public Library stamp on one or more pages of each part.

Complete set of parts. Arrangements of the two Piano Sonatas for four Hands K521 and K497, and Piano Trio K564.

The last page of the first violin part has a cute manuscript correction tipped in.