Piano score and separate violin part.

Piano score alone.

Piano score and separate violin part.

Complete set of parts.

Separate piano and flute parts.

Complete piano/keyboard score with figured bass and integral violin part.

Piano score and parts. Beautifully engraved title page vignette, including a quotation from Montagne. The Rousseau theme is composed of the notes G, A and B. The air's German translation is provided along with the original French. A rare complete set.

Baumbach was a composer and musician who was active in Hamburg in the 1780s and travelled to St. Petersburg, Riga and Moscow before settling in Leipzig in 1790. He composed chamber music and vocal and instrumental music for amateurs.

Piano score only.

Piano score and three string parts. Beethoven published opus 16 simultaneously in both piano/wind quintet and piano quartet versions. The piano score of this edition is of the original wind/piano quintet, while the string parts are Beethoven's quartet version.

Complete set of seven parts. Plates are the same as the 1802 first edition of Kühnel, but with Peters title page.

A superb copy in near mint condition.

Complete set of seven parts. Plates are the same as the 1802 first edition of Kühnel, but with Peters title page.

Full score.

Complete set of five parts. An early edition of the quintet version of the Septet. Kinsky p. 50 Übertragungen "c." Probably the same plates as the 1802 first edition in this arrangement.

Piano part only. Kinsky p. 51, Nachdrücke "e."

Attractively engraved title page with crisp musical text.

Complete set of parts. Dealer stamps on title page and stamped "Cleveland Institute of Music" on title page of each part.

Not listed in Kinsky. The price of "3 [florins] W.W." indicates that the title page dates from after the 1811 introduction of the "Wiener Wahrung" alongside the older "Conventions-Münze" (Fuld p. 13).

Full score. Series: Beethovens Werke: Vollständige, kritische durchgesehen überall berechtigte Ausgabe, mit Genehmigung aller Originalverleger, Serie 5, [no. 33]: Kammermusik für fünf und mehrere Instrumente. Includes a B&H catalog of chamber music for strings on back.

Complete set of five parts. Op. 81b was originally a sextet composed of a string quartet plus two horns. This arrangement was published simultaneously with the Simrock first edition of the original sextet. The title page is printed in black text on a red background in a stylized sunburst pattern.

Piano part only. Separate title page for each sonata.

Piano part only. Issued shortly after the Oct. 1801 first edition. Title page also has an additional label for Breitkopf & Härtel, Leipzig.

Separate piano and violin parts, both signed in ink by a past owner.

Piano score (includes cello part) and separate violin part.

Kinsky dates the violin part to 1823, though the piano part is probably from the plates of the first edition in its original form (with cello), with a title page reflecting the recasting of the solo part for violin.

Full Score. Rare original wrappers with engraved title page reading "Partition de Quatuor pour 2 Violons, Alto & Violoncelle de Louis van Beethoven Oeuvre 130."

Kinksy describes this title page as one of the graphical high points of title pages in Beethoven first editions.

Complete set of four parts, each with title page. Early editions of this opus are seldom available for sale.

Complete set of four parts, each with title page.

Complete set of four parts. The violin part has a label pasted over the publisher's name, but Schott/Paris is unobscured on the title pages of the other parts. The viola exhibits a different price, stamped "12f.", instead of the engraved "9f." of the other parts.

This is a Parisian edition issued simultaneously with the Mainz edition (though the Parisian imprint lacks the plate number, 2351). The Mainz edition was also re-issued with the addition of "à Paris rue de Bourbon No 17," but the lack of plate number demonstrates that this is the Parisian printing of the first edition.

Complete set of parts. One of the earliest issues of the first edition, with title page on first violin only.

Complete set of parts. A very early edition published in Paris within days of the Viennese first edition.

Complete set of five parts.

Complete set of three parts for four trios. Attractive title page in black ink on red background on each trio's violin part.

Complete set of five parts. This arrangement is one of the items listed in the advertisement in the piano part to the trio arrangement of the 7th symphony, MUS-06635.

Piano score and separate violin part.

Two separate violin parts with nine individual pieces.

Two separate violin parts.

Bruni was a violinist, conductor and composer who was musically active primarily in Paris 1780-1806. He was best known for his comic operas, his numerous violin works (many pedagogical, as in the case of the present edition) and a viola method. His oeuvre included nearly 100 works for string quartet and trio, as well as over 100 duos (most for two violins), nearly 40 sonatas for various instruments and over 100 etudes and caprices.

He was also a supporter of the French Revolution and catalogued the musical instruments confiscated during the Reign of Terror.

Piano score and separate violin part. Portrait of Ole Bull on title page. Includes a catalog of Carl Warmuth Musikverlag.

Piano part and separate violin part.

Piano part only.

Piano part only. John A.K. Colizzi was known as Giovanni Andrea and was born Johann Andreas in Bohemia. He was active in Leiden and The Hague from 1767 to c. 1790, and seems to have had a special interest in the Americas, with his first opus being titled "Quattro concerti barbari, dedicati al Gran' Sole di Natchez, sulle rive del Mississipi [sic]" and his only opera being "Le français chez les hurons" (now lost).

Complete score of figured bass and violin.

Complete score of figured bass and violin.

SIGNED BY CRAMER "J.B.C." ON TITLE PAGE. Piano score only. Milligan 2.064-2.066.

Piano part only. Milligan 2.025-2.027. Includes Longman & Broderip catalog.

Piano score and separate violin part.

Two separate cello parts. Only one copy of this edition is listed in RISM (DD-11a).

Piano and tambourine score alone (no flute, no triangle). Includes rubric for interpreting the symbols in the tambourine part, as well as a note on pedalling in the piano part in the 5th waltz.

According to Humphries, Joseph Dale took out a patent on improvements to the tambourine, an instrument in which his son was interested.

Piano part and separate violin part.

Piano score and separate violin part. Piano and violin version only (no string quartet or contrabass parts). With a forward from the composer.

Piano score and separate violin part.

Piano score and separate violin part. Each piece with a quotation, the first from Lamartine, the second from Victor Hugo, and the last from Mme de Staël (Corinne).

Two separate violin parts.

Fémy was a violinist of some renown who won the First Prize at the Paris Conservatoire in 1807 after studies with Kreutzer. More than a dozen of his instrumental works were published in the 1830's but his works are unavailable in modern editions and are generally unknown today. No works are listed in RISM, and Fémy remains unmentioned in Grove or MGG, although a good listing can be found in Fétis.

CONTENTS:
- Trois Quatuors pour deux Violons, Alto, et Violoncelle composés et dédiés à C. A. Fesca par son frère F. E. Fesca. Oeuvre I [nos. 1-3] (Vienna: Mechetti, [c. 1815], PN 345, 23+17+15+15 pp.).
- Quatuor pour deux Violons Alto & Violoncelle composé par F.E. Fesca. Oeuv. [38] (Paris: Richault, [1825], PN 1011R, 1023R, paginated 166-75+138-45+128-33+154-60 pp.)
- Quatuor pour deux Violons Alto & Violoncelle composé par F.E. Fesca. Oeuv. [37] (Paris: Richault, [1825], PN 1011R, 1022R, paginated 154-65+131-37+120-25+147-53 pp.)

Complete set of four parts. Title page on violin part of Op. 1 bears an attactive engraved vignette of two putti, one holding a harp, the other writing a music manuscript. Op. 38 is bound in each of the four complete parts between Op. 1 and Op. 37. Opp. 37-38 both have metronome markings, and are respectively designated Fesca's 17th and 18th quartets.

Fesca was a violinist and composer who published no fewer than 16 string quartets, and whose chamber music was admired by Spohr, Weber and Rochlitz. His works are virtually unknown today.

Piano score only. Ink emendations throughout the score arrange the piece for piano alone.

Grove VI describes Giornovichi as "the most popular of the violinists who preceded Viotti in Paris in the 1770s" and his playing was widely praised by such notables as Dittersdorf, Leopold Mozart and Gyrowetz.

Harmonium score and four string parts. Remarks by the editor/arranger dated 1894.

Piano part only.

Piano part only. Handsome title page vignette with organ pipes.

Score. Cover reads "Partition des Quatuors de Joseph Haydn. Nouvelle Edition. No. [72]".

Two separate violin parts.

Two separate violin parts.

Continuously paginated as part of Pleyel's edition of all 83 Haydn string quartets. Individual quartets numbered 78, 79, 80. Title page for each of the four parts.

Piano part and separate violin/flute part. Attractively embossed engraved title page.

Complete set of three parts. Title page publisher's number 518.

Two separate violin parts.

Piano part only.

Piano part only. This edition unknown to Hoboken. Similar to his Coll.Sy. 15a, but not identical.

Two separate violin parts.

Piano score and full set of parts.

The piano score is interesting in having a variable number of staves for the instrumental parts, sometimes above, sometimes below the piano part. The individual instrumental parts are always combined into no more than a grand staff's worth of music, enabling the performance of the piece on two pianos, if both pianists had copies of the piano score.

Piano part only. Although printed as "Op. 19," this is actually Op. 5, #3. This edition not listed in Zimmerscheid.

Piano part only. This edition not listed in Zimmerscheid.

Piano, violin & cello parts (no flute). Title pages in piano part only.

CONTENTS:
1. Beethoven, Overture to Prometheus, 7+3+3 pp. (watermark "1817")
2. Mozart, Overture to Zauberflöte, 7+3+3 pp. (watermarks "1817" & "1822")
3. Cherubini, Overture to Lodoiska, 9+3+3 pp. (watermark "1822")
4. Mozart, Overture to Figaro, 9+3+2 pp. (watermark "1822")
5. Gluck, Overture to Iphigenia, 9+3+2 pp. (watermark "1822")
6. Himmel, Original Overture, 10+4+2 pp. (watermark "1817")

The piano part is musically complete by itself (the title pages all say "The above overtures may be had without the Accompaniments."). Given the writing in the violin part, the arrangement appears playable in any combination of the accompanying instruments with the piano.

This is an extremely attractive and nicely bound example of an unjustly neglected repertory.

Complete set of parts. The bass part appears to be an instrumental part and not intended for keyboard realization.

Hus-Deforges was a cellist and composer and the grandson of the violinist Giornovichi. Grove VI cites 68 opus numbers, mostly chamber music for various string ensembles.

Piano score and separate violin part. Charming battle engraving on title page.

"The Battle of Prague" was Kotzwara's best-known work, with nearly fifty separate editions in England, on the Continent and in the US. Kotzwara himself is best known (or notorious) for the manner of his death, by accidental hanging in a brothel.

Piano part only, which includes extensive cues for the violin part, possibly sufficient to reconstruct the complete work.

Complete set of seven parts. The contrabass part lacks the engraved middle bifolio (pp. 3-6), which is supplied in 20th-century manuscript, but there is a second copy of the first bifolio. Title page stamped "Bibliotheque Musicale R. D'Halluin."

Piano part and separate violin part.

Piano score alone.

Manfredi was a violininst in Lucca, a pupil of Tartini and Nardini, and an intimate friend of Boccherini.

Complete set of four parts. Title page on viola part only.

Complete set of four parts, with title pages for each quartet in first violin only.

Complete set of three parts. Lithographed title page.

Complete set of six parts, with amusing title page vignette illustrating some of the musicians the work is intended to ridicule. The vignette is remarkable in showing a violin part laid out on the table around which the musicians play, with the opening theme of the piece entirely legible.

As indicated by the title page rubric "Nach dem Originalmanscripte des Autors herausgegeben," this Mozart first edition was one of the many that André brought out after his purchase of the Mozart autographs from Mozart's widow at the end of 1799.

This first edition is particularly noteworthy as one of the earliest lithographic prints, a printing technology that the André firm pioneered after the hiring of Franz Gleissner, one of the co-inventors of the process.

Complete set of six parts.

This edition bears the same plate number as André's first edition, and Köchel claims that it uses the printed stock of André's first edition with a new title page; however, a close comparison of the two editions shows that Charenton re-engraved the work closely following the layout of André's model. This edition is an example of some of the very earliest French lithography created in André's Charenton workshop, a technology that the André firm pioneered after hiring one of the co-inventors of the process. The vignette is quite crudely drawn in comparison to André's title page, but is nonetheless amusing in its caricature of the type of musicians being mocked by Mozart.

Complete set of six parts, the two horn parts on a single uncut bifolio, demonstrating that the music has never been used.

The amusing title page vignette is a re-working of the original vignette of André's 1802 first edition, but differing from the original in some of the details, most significantly in the different music on the violin part laid out on the table (see MUS-05975, the original André edition, which is the first edition of this piece).

Piano part and complete set of parts. A deep impression with the piano part having both the original blue wrappers reading "Clavier-Werke von W.A. Mozart. [27]tes Heft" as well as the series title page which bears an engraved vignette of a stone monument (with the series title etched in it) surrounded by a waterfall and woodland creatures (a snake and an owl) and reads "Saemmtliche Werke für das Clavier mit und ohne Begleitung von W.A. Mozart, [27] Heft." A catalog for the series is on back of blue wrapper. See MUS-05970, the Piano Quartet, K493, and MUS-05959, the piano quartet arrangement of the Quintet for Piano & Winds, K452, both part of this same Haslinger series.

Piano part and complete set of parts. A deep impression with the piano part having both the original blue wrappers reading "Clavier-Werke von W.A. Mozart. [28]tes Heft" as well as the series title page which bears an engraved vignette of a stone monument (with the series title etched in it) surrounded by a waterfall and woodland creatures (a snake and an owl) and reads "Saemmtliche Werke für das Clavier mit und ohne Begleitung von W.A. Mozart, [28] Heft." A catalog for the series is on back of blue wrapper. See MUS-05968, the Piano Quartet, K478, and MUS-05959, the piano quartet arrangement of the Quintet for Piano & Winds, K452, both part of this same Haslinger series.

Piano and separate string parts. Includes two-page Sieber catalog.

Piano part and complete set of parts. A deep impression with the piano part having both the original blue wrappers reading "Clavier-Werke von W.A. Mozart. [29]tes Heft" as well as the series title page which bears an engraved vignette of a stone monument (with the series title etched in it) surrounded by a waterfall and woodland creatures (a snake and an owl) and reads "Saemmtliche Werke für das Clavier mit und ohne Begleitung von W.A. Mozart, [29] Heft." A catalog for the series is on back of blue wrapper. See MUS-05968, the Piano Quartet, K478, and MUS-05970, the Piano Quartet, K493, both part of this same Haslinger series.

Two separate violin parts.

Piano part and separate violin parts.

Two complete violin parts.

These duos exhibit an unusual creativity in the transcription process. Of particular note in this regard is the G Minor/G Major sonata (K379, third of the set), which exhibits substantial rewriting of the variation movement that departs markedly from the original figuration and shape of the lines even when the original figuration could have served perfectly well.

Piano part only. Series title page with vignette engraved by Langer, reading "Oeuvres Complettes de Wolfgang Amadeus Mozart XI." Wrapper title page: "Oeuvres de Mozart. Cahier XI. Contenant V Sonates et II Airs variés pour le Pianoforte avec l'accompagnement d'un Violon."

Complete set of parts, each with title page.

Complete set of parts, each with title page, all marked in ink "ex libris Christopher Kreeft 1846." The music library at Harvard has a copy of Mozart's String Quartets K575, 589 and 590 published by Forster that bears the same ex libris designation (Merritt Room Mus 745.1.292.25).

Score. Continuous pagination for full set of quartets at bottom of pages.

Complete set of four parts. All title pages stamped and signed by a former owner and New York Public Library stamp on one or more pages of each part.

Complete set of parts. Arrangements of the two Piano Sonatas for four Hands K521 and K497, and Piano Trio K564.

The last page of the first violin part has a cute manuscript correction tipped in.

Piano part and separate violin part.

Piano score.

Piano part and separate violin part. Formerly bound with a piano arrangement of another piece now excised. Signed in ink on cover and first page of both parts by a former owner.

Piano score alone, with full flute line. Benton 4345.

Piano score only, with complete flute line (playable by violin). This edition not listed in Benton.

Piano part only. Benton 4604. Title page with handsome engraved border of thistles. Includes J. Dale catalogs on title page and final leaf.

Piano part with selected flute/violin cues. Benton 4628.3. According to Benton, this is a second state of the sonatas, issued with a collective title page and pages 16-29 only.

Piano part only. Benton 4645. Striking title page vignette with a mixture of elements from Chinese landscapes and European decorative devices. Cover includes a statement about the issuing of spurious works and how Corri, Dussek & Co. will be Pleyel's official publisher.

Piano part only. Benton 4647. Striking title page vignette with a mixture of elements from Chinese landscapes and European decorative devices. Cover includes a statement about the issuing of spurious works and how Corri, Dussek & Co. will be Pleyel's official publisher.

Complete set of parts. Benton 4672. Dealer's label on piano title page for "Thipographie de la Syrene," original publisher visible on the string parts. Only two complete copies of this edition are listed in Benton.

Three complete sets of four parts with six quartets in each opus (18 total), published together. Benton 3010, 3087 & 3124.

Two complete sets of four parts for the six quartets in each opus (12 total). Benton 3018 & 3094. Longman & Broderip catalog in Op. II first violin part.

Complete set of four parts. Benton 3154. Longman & Broderip catalog in first violin part.

Complete set of four parts of the complete opus of twelve quartets, with attractively engraved title pages bearing an elaborate coat of arms that is actually a careful reproduction of the title page on Imbault's edition of the Prussian Quartets. Benton 3230-33.

A complete set of parts for the twelve Prussian Quartets. Second violin pp. 7-8 supplied in contemporary manuscript. Title page on first violin only. Benton 3247, 3253, 3259, 3265.

Complete set of four parts. Benton 3272. Longman & Broderip catalog in first violin part.

Complete set of four parts. Benton 3220.

Complete set of four parts, each with handsomely engraved title page. Benton 3400.

Complete set of six quartets, with title pages on each of the four parts. Benton 3409.

Complete set of four parts. This edition noted in neither Benton nor BUC.

Complete set of six quartets with elegantly engraved title page on each of the four parts. Benton 3509.

Complete set of six quartets with title page on each of the four parts. Benton 3527 & 3528.

Complete set of four parts, each with title page. An early Pleyel lithograph. Benton 3597.

Piano part and separate violin part. Benton 1247.

Piano part only. Benton 1298.

Complete set of three parts.

Raffelin was a Cuban composer active in Havana who moved to Paris and then Philadelphia. This is one of several of his works published in the US. His works included popular songs, a string quartet and at least three symphonies.

Engraved piano part with separate violin and cello parts supplied in contemporary manuscript (possibly Viennese). Title page bears an intact red wax seal.

The piano part exhibits numerous pedal markings, using a striking asterisk symbol with a large empty center that is unusual for the period.

CONTENTS:
- [Symphonies, arranged] Nos. 1.2.3. Grand Symphonies Composed by A. Romberg, Adapted for Two Violins, Flute, Tenor & Violoncello, With an additional Bass or Piano Forte (Ad libitum) by G. Masi (London: R. Cocks, [after 1845]. Plate number 4427, 21+21+20+11+20+35 pp.).
- [Symphonies, arranged] No. 4.5.6. Grand Symphonies, Composed by Andreas, & Bernard Romberg, adapted for Two Violins, Flute, Tenor & Violoncello, with an Additional Bass, or Piano Forte (ad libitum) by H. Hill (London: Monzani & Hill, [c. 1818-29]. Plate number "Rombergs Syms. 2d. Set.", 27+22+19+17+19+39 pp.).
- [Overtures, arranged] Nos. 1 & 2. B. Romberg's Celebrated Overture, Op. 11, in D Major, and Ditto Op. 26, to Ulysse et Circe, Adapted for Two Violins, Flute, Alto, Violoncello, Contra Basso, & Piano Forte, by G. Masi. 1st Set (London: R. Cocks, [1823-44]. Plate number 4424, 5+5+5+5+5+9 pp.).
- [Overtures, arranged] No. 3.4.5. Grand Overtures, composed by A. Romberg, as Performed at the Concerts of the Philharmonic Society, Adapted for Two Violins, Flute, Tenor, & Violoncello, with an additional Bass or Piano Forte, by H. Hill (London: R. Cocks, [after 1845]. Plate number 4425, 11+9+7+7+8+15 pp.).
- [Overtures, arranged] Nos. 6.7. A. Romberg's Grand Overture, to Le Rovine di Palluzzi, and B. Romberg's Grand Concert Overture, Adapted for Two Violins, Flute, Tenor, Violoncello, and Bass or Piano Forte, by H. Hill. 3d. Set (London: R. Cocks, [1823-44]. Plate number 4426, 8+7+6+5+7+10 pp.).

Piano part only. Violin/flute part cued in occasionally in the third sonata.

Complete set of four parts, each with title page.

Two separate violin parts. Watermark: 1821.

Sanderson was a violinist and conductor in the London theater who in 1812 adapted a Scottish folk melody for use with words from Sir Walter Scott's "Lady of the Lake" to create "Hail to the Chief." It was published in the US during the War of 1812 and gained some popularity then, but only later became defined as the official musical tribute to the US President, with different lyrics.

Complete set of four parts.

Piano score and separate parts. Hofmann p. 239.

Eight separate parts.

CONTENTS:
- Spohr, "Double Quatuor pour Quatre Violons, deux Violes et deux Violoncelles Composé par Louis Spohr...Oeuv. 65" (Leipzig: Bureau de Musique de C. F. Peters, [1825]. Plate no. 1831/1831 II, FIRST EDITION, 10+8+8+7+7+7+8+8 pp.).
- Spohr, "Second Double=Quatuor 4 Violons, 2 Alti et 2 Violoncelles composé par Louis Spohr. Op. 77" (Berlin: Schlesinger, [1828]. Plate no. 1490, FIRST EDITION, 11+7+6+7+7+7+7+5 pp.).
- Spohr, "Troisiéme Double Quatuor pour quatre Violons, deux Violes et deux Violoncelles Composé par Louis Spohr. Oeuvre 87" (Bonn: Simrock, [1833]. Plate no. 3078, FIRST EDITION, 15+10+7+10+10+8+10+8 pp.).
- Spohr, "4tes Doppel-Quartett für 4 Violinen, 2 Bratschen und 2 Violoncells componirt von Louis Spohr. 136stest Werk...Zweite ganz correkte Ausgabe" (Kassel: Luckhardt, [after 1849]. Plate no. 122a-b, Second Edition, 15+8+11+9+9+9+11+9+9 pp.).
- Mendelssohn, "Ottetto pour (des instruments à cordes) 4 Violons, 2 Violes et 2 Violoncelles composé et dédié à son Ami Edouard Ritz part Felix Mendelssohn Bartholdy. Op. 20" (Leipzig: Breitkopf & Härtel, [after 1841], Plate no. 5282, 13+7+9+10+11+10+9 pp.).

These are very rare works -- there are no modern editions of Spohr's Double Quartets available. These first and early editions are in extremely fine shape and very durably and elegantly bound.

Piano part and separate flute/violin part.

Two separate violin parts. The first violin title page says "Chez Melles. Erard" but bears the Naderman stamp. The second violin title page is engraved "Chez J.H. Naderman".

Piano/tambourine score alone. Title page decoration featuring a tambourine and triangle.

According to Humphries, Joseph Dale took out a patent on improvements to the tambourine, an instrument in which his son was interested.

Harpsichord score (figured bass and violin part, playable alone as a keyboard piece).

SIGNED BY VIOTTI ON TITLE PAGE. Piano part only. Charming title page vignette. Inscriptions on title page from former owners.

Piano part and six separate parts. The musical text includes numerous alternate readings for pianos without the "additional keys."

This is a rare edition -- only one known copy is listed in RISM (H7811, GB-Lbm).

SIGNED BY VIOTTI ON TITLE PAGE. Piano part only. Frequent alternate passages for the "additional keys." Watermark "1794." Includes Corri, Dussek & Co.'s "Catalogue of New Music, 1795 & 1796" with prices. Paste-over on title page for Hime's, Dublin.

SIGNED BY VIOTTI ON TITLE PAGE. Piano part only. Frequent alternate passages for the "additional keys." Title page has pasteover covering the original publisher, Corri & Dussek. Also signed by a former owner, J. Hill, probably the violin maker, Joseph Hill.

SIGNED BY VIOTTI ON TITLE PAGE. Piano part only. Frequent alternate passages for the "additional keys." Also signed by a former owner, J. Hill, probably the violin maker Joseph Hill.

SIGNED BY VIOTTI ON TITLE PAGE. Piano part only. Includes Corri, Dussek & Co.'s "Catalogue of New Music, 1795 & 1796" with prices. The musical text includes numerous alternate readings for pianos with "additional keys."

Two separate violin parts.

Three sets of duets bound together in two volumes, one for each violin.

CONTENTS:
- "Six Duetts Concertants for Two Violins. Composed by M. Viotti [Bk. 1]", White IV: 1-6 (G. 1-6). (London: Coventry & Hollier, [after 1834], n.p.n., 25+25 pp.).
- "Six Duetts Concertants for Two Violins. Composed by M. Viotti [2nd Book]", White IV: 7-12 (G. 13-18). (London: Preston, [1795], n.p.n., 14+14 pp.).
- "Three Duets, for Two Violins Composed by J.B. Viotti. Op. 21", White IVa 16-18 (G. 53-55), arranged from Trios Op. 18 (White III: 16-18). (London: Clementi, Banger, Hyde, Collard & Davis, [c. 1804-10], n.p.n., 20+20 pp.).

Two separate violin parts. Title page bears publisher's number 1326 (plate number for Viotti's Op. 6, MUS-06481), but musical plates are all numbered 1355.

Two separate violin parts.

Two separate violin parts.

Two separate violin parts. Title page has publisher's number 1326 (the plate number for Viotti's Op. 6, MUS-06481), but plate numbers are all 1321.

Piano part and separate violin part (no flute part).

Facsimile of the parts.

Complete set of seven parts. Watermark 1823.

Two separate violin parts with ten individual pieces.

Complete set of four parts.